Lively, modern, hypnotic. Swift moving electronic beat melds with Lively, modern, hypnotic. Swift moving electronic beat melds with rhythmic sibilant percussion to create a dance atmosphere, traditional middle eastern instruments play out serious sequence melding with beat to create a determined lively feeling. Club vibe, a dancefloor in the middle east or somewhere hot and sunny, groups of people dancing uncontrollably to repeated beats and melodic sequences.
Modern, hypnotic. Delayed synth and plucked strings play out serious Modern, hypnotic. Delayed synth and plucked strings play out serious melodies, sidechained into a bouncy rhythm. Resonant echo communicates a sense of depth, a club somewhere sunny and hot. Stripped back underscore version.
Modern, hypnotic. Glittery synth echoes out, joined by dance string Modern, hypnotic. Glittery synth echoes out, joined by dance string melody. Sparse instrumentation communicates a feeling of depth, a far-reaching landscape somewhere hot and sunny. Stripped back underscore version.
Exotic, determined, hypnotic. Drooping synth notes play out over a Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Male autotuned vocals sing about an individual that treats them bad, but they can't get enough of, a lustful love situation. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men.歌词
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
So cold sayin' things you don’t mean, Only time we good when I’m in dem jeans, Either that or bad ain no in between, But I want ya I be feelin' like a fiend, Goosebumps every time dat you touch me, When we up I be feelin' like I’m lucky, When we down I be feelin like I’m cursed, Slick talk and attitudes be da worse, But you love it when dem racks in yo purse, Nails done hair did girl I see you work, But u steady playin' wit my top like a jerk, Heart so cold I got used to the hurt.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you got me hard, Like Medusa, From the back, you know I kill it, I’m the ruler, Iced out, chain on, Shout out to my jeweler, Big rocks, big clocks, Hmmmm Frank Mueller, He might russel with you, But I’m tryna be ya future, If you are scared of the thunder, Then go, If you stay, mmmmm Ima watch it roll, Don’t be shy, Baby come up out them clothes, Shawty slow down, When you wine down that poll,
Left cheek, right cheek, Mamma shaking fast,Shawty getting money, And she got her haters mad, You don’t pay her bills, Keep them slicks to yourself, Shawty she a G and, She don't need nobody else.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future,
I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you know you cold like Medusa,
I can tell you been messin' wit losers,
But I got some things I wanna do to ya, But I know you bad for my future,
I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya,
Exotic, determined, hypnotic. Drooping synth notes play out over a Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men. Instrumental version.
Powerful, wistful, strong. Swirling synths and guitar play out a Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Male autotuned vocals talking to a love interest about how they stay cool and focus on making money. Catchy lyrics with comedic comparisons infers a confident aura. An individual who has control of their life and has control over others, a top dog or someone people fear and respect.歌词
Sandals, I just hit yo chick in Gucci sandals, Candle, rollin' up I’m burnin' like a candle, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler, Put em on dat rope you know I make em walk a line, Haters steady talking I pay them no never mind when I, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler.
Colder than da ice up in dat cooler,
I got money on madula,
Want dat smoke I bring it to ya, Ay I’m makin' lil shawty move her body like a dancer, Answer, I don’t even know da question random, Vamping, I just popped a 30 so I’m vamping, All night baby Ima hit it till I’m cramping, Head game honor student like she went to Hampton, I don’t hold no hands really not into romantics, Shawty clean me up yeah she got manners, I got, all diz money on me like a scammer, Nailin it you know I keep da hammer,
Fit you in my schedule I write it in my planner.
Sandals, I just hit yo chick in Gucci sandals, Candle, rollin' up I’m burnin' like a candle, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler, Put em on dat rope you know I make em walk a line, Haters steady talking I pay them no never mind when I, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler.
Powerful, wistful, strong. Swirling synths and guitar play out a Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Cool, slick sound reminiscent of an individual who has control of their life and has control over others, a top dog or someone people fear and respect. Instrumental version.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Lyrics about a toxic relationship, someone looking for affection at the wrong times. Two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy.歌词
Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line. You got needs, I got what you need, It’s so good ima bring you to ya knees, You looking good girl you need some high fashion, It’s first-class when you rollin' out with me, Money be callin', you know dat I answer, Way dat you movin' dat body like dancers, Hope dat you don’t mind I pull out my camera, You just do yo thing, we gone shoot a scene, When I pop a Xanny I might need some bed rest, Servin' Off White in the trap dead fresh, In a jump, pushing work leg press, Put you on a test just to see where to head at, Run off in yo spot be like where dat bread at, Rollin off a addy so my eyes dead red, I ain’t even vote but I need dead presidents, Drop me da location I’m pullin' up yo residence, in the late night. Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Reminiscent of a sad but emotionally charged situation, two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy. Instrumental version.
Strong, cool, slick. Echoing plucked strings and keys produce an Strong, cool, slick. Echoing plucked strings and keys produce an atmosphere of tranquility and pain, a wistful energy. Male sings about keeping his woman safe, being focused on his work, how is skills enable him to conduct himself without fear of punishment or reprisal. Sharp lyrical delivery mixing with melodious singing further asserting talent and supremacy.歌词
Shawty keep tellin' me when she wit me she feel safe, Tell me yo secrets baby I’ll keep ‘em it’s ok (talk to me, talk to me), I need da paper so much that it’s really gone fill up the safe, I got my lawyer on speed dial I’m beating the case.
I feel like OJ I kill it and never be leavin' a trace, Wit a A K feel like T K doin' a Race, Man I’m so sick I’m in quarantine and
I'm never reportin' the case, I just rolled up a Gorilla finger and I'm finna take it to the face, Stock market on the crash, Streets locked raising price on the gas, Tip top when I roll out the bag, Jungle man when I pull out that jag, Do da dash burnin' out goin' fast, I could never let 'em mess up the cash, I keep the stick like Yosemite Sam, Call me collect if you get in a jam, Wizard of Oz you don’t use yo brain like the scarecrow, I meet my plug he lookin' like Eddie Guerrero, whoa,
I get that funny bone for the low that’s an elbow, Shawty she bad, you know she keeping that Chanel glow, Disrespectin' my love is a hell no.
Shawty keep tellin' me when she wit me she feel safe, Tell me yo secrets baby I’ll keep ‘em it’s ok (talk to me, talk to me), I need da paper so much that it’s really gone fill up the safe, I got my lawyer on speed dial I’m beating the case.
I feel like OJ I kill it and never be leavin' a trace, Wit a A K feel like T K doin' a Race.
Strong, cool, slick. Echoing plucked strings and keys produce an Strong, cool, slick. Echoing plucked strings and keys produce an atmosphere of tranquility and pain, a wistful energy. Subtle vocal echoes offer a dramatic energy, with flute melodies offering a buoyant energy. Chattering trap hi hats keep a steady beat, visions of a calm and collected individual keeping themselves focused. Instrumental version.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass, with swiftly delivered ad libs. Lyrics about stacking a lot of money in a short time, conducting business with a merciless demeanour. Lyrics with wordplay asserting a talent and a carefree energy. Slick instrumental asserts a sinister power.歌词
Hey, hey, hey, Hey, hey, hey, Hey, hey, hey, Hey, hey, hey. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done. Runnin' through big stacks, Wit a quarter pound no Big Mac, Mane ima flex like a 6 pack, I come off uh da hip make em get back, Cross my ex no tic tac, Ion even really do chit chat, Big sawed off wit a kickback, Looking for the cheese where the likkz at. You switching up like you Brady, Ballin' they never could play me, Carry the drum like a cadence, Wanna talk to me gone pay me, Pop me a 30 go crazy, Rollin' could never be lazy, Alter my thoughts and be changing my mind when I think about it it’s amazing, I got a plug on the latest, Better handcuff to your lady, I ain’t trying to make you my baby, I want the cake like a happy belated, Rollin' stone I be so many places, Yellowstone call me Rip never play, Diamond on him lookin' like some Dasani, U can just call me the dock of the bay, Diamond on him lookin' like some Dasani, U can just call him the dock of the bay. And I go so hard, I really don't play You mess with my cake I come at yo face, Feel like I’m part of the alphabet a G wit a K, Feel like I’m part of the alphabet a G wit a K. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass. Slick instrumental asserts a sinister power. Instrumental version.
Creepy, raw, cataclysmic. Kick drums and echoed sidestick sound beat Creepy, raw, cataclysmic. Kick drums and echoed sidestick sound beat out a pacy tempo, joined shortly by sharp wicked chords. Pedal note infers a tension, a villain or monster slowly searching out innocent victims. Spiky guitar notes convey a sense of danger and isolation, alongside dissonant string sequences. Break through into heavy drums at 01:51 with scary noises and a feeling of dread.
Creepy, raw, cataclysmic. Sharp wicked chords set out an atmosphere Creepy, raw, cataclysmic. Sharp wicked chords set out an atmosphere of danger and isolation, alongside dissonant string sequences. Break through into overwhelming moment at 01:51 with scary noises and a feeling of dread. Stripped back underscore version.
Creepy, raw, cataclysmic. Harrowing string melody skulks slowly with Creepy, raw, cataclysmic. Harrowing string melody skulks slowly with a malicious energy. Alarm noise emerges at 00:30, conveying a sense of danger and worry. Break through into overwhelming moment at 01:51 with scary noises and a feeling of dread. Stripped back underscore version.
French song in 60s style. Tender & sentimental. Female singer, French song in 60s style. Tender & sentimental. Female singer, acoustic & electric guitars, organ, string section & rhythm. Suggested for romance.歌词
La main dans la main, traverser les boulevardsLes yeux dans les yeux comme un roman de gare
J’ai toujours sur moi, un pola de toi.
Marcher sous la pluie avec toi dans la nuit
C’est pas un problème, dis moi juste «
je t’aime
»
Les bijoux, les fleurs, je vois la vie en couleur.
Je me demande tous les jours, que ferais-je sans toi,
Et tu vois.
Il paraît bien que l’amour, oui ça ressemble à ça.
Quand viendra le jour où tu ne seras plus là
Tu sais mon amour j’aurai toujours sur moi.
Tu sais devines quoi? Un pola de toi.
Je me demande tous les jours, que ferais-je sans toi,
Et tu vois.
Il paraît bien que l’amour, oui ça ressemble a ça.
Je me demande tous les jours, que ferais-je sans toi,
Et tu vois.
Il paraît bien que l’amour, oui ça ressemble à ça.
English translation :
ROMANTIC NOVEL
Hand in hand, crossing the boulevards
Eye to eye, like in a romantic novel
I always have on me, a polaroid of you.
Walking in the rain with you in the night
It's not a problem, just tell me “I love you”
The jewels, the flowers, I see life in color.
I wonder every day, what would I do without you
And you see,
It seems love is really like that.
When the day comes when you will no longer be here
You know, my love, I will always have on me
You know, guess what, a polaroid of you.
I wonder every day, what would I do without you
And you see,
It seems love is really like that.
I wonder every day, what would I do without you
And you see,
It seems love is really like that.
Klezmer Jazz in the style of the 30s. Nonchalant, swaying & constant. Klezmer Jazz in the style of the 30s. Nonchalant, swaying & constant. Clarinet, sax, tuba, trombone & rhythm. Suggested for Yiddish life.
Questioning, doubtful & as if waiting for an event. Pizzicato, delay Questioning, doubtful & as if waiting for an event. Pizzicato, delay FX & sound-design. Light tension & police investigation.
