Pictures at an Exhibition. 9th movement. Ballet of Unhatched Chicks. Pictures at an Exhibition. 9th movement. Ballet of Unhatched Chicks. Fun, bouncy & comical.
Les Tableaux d'une Exposition - Ballet des Poussins dans leurs Coques
序列号 :
ULY3019- 19
作曲家 :
Mussorgsky Modeste Orch. Ravel
编曲 :
Maurice Ravel Domaine Public
许可号 :
50352
专辑 :
Maurice Ravel - Orchestral Works
发布日期 :
13/09/2024
出版方 :
Carmen Suite (ballet) [CLA3039 - 9]
0
3'08
罗季翁·康斯坦丁诺维奇·谢德林
V. Carmen's Entrance and Habanera: Allegro moderato - Quasi andante. V. Carmen's Entrance and Habanera: Allegro moderato - Quasi andante. Symphonic orchestra.
Romantic, cyclic & charming reggaeton sung in Spanish. With a kiss Romantic, cyclic & charming reggaeton sung in Spanish. With a kiss she takes me to the Nirvana. Male singer, autotune, male backing vocals, Spanish guitar sampling, electronic percussion & synth.歌词
ES:
Lo que a unos mata, a otros sana
(Sana, sana)
Encuentro el camino en tu mirada
(No no)
Amar sin dejarlo mañana
(No no no no)
Te doy todo mi cuerpo y mi alma
Con un beso me lleva al nirvana
Amar pasó de moda
Te pido de boda
Caminar mano a mano
En esta vida loca
Y hasta el final juntos nos toca
Me gusta cuando se prepara
Cuando combina zapato y ropa
Se viste de blanco, de negro y de azul
Me gusta como te vez
Y nos fuimos caminando junto al restaurante
Unos sushis pa’ comer y prolongar la noche
Para festejar nuestra primera vez
No se si era la una, las dos o las tres
Cuando por primera vez me atreví y te besé
Pero sé
Que en ése momento fuiste mi mujer
Lo que a unos mata, a otros sana
(Sana, sana)
Encuentro el camino en tu mirada
(No no)
Amar sin dejarlo mañana
(No no no no)
Te doy todo mi cuerpo y mi alma
Con un beso me lleva al nirvana
Eres la única que sabe
Solo tu, la única que cura to' mis males
Prepara tus maletas
Que nos vamos hoy de viaje
Lo nuestro es pura pasión
Un amor bonito llena el corazón
Y aunque no tengamos una mansión
Sueño con una casa pa’ los dos
Cambiemos de continente
Pa’ ver como se siente el sol
Vamos a calentar el corazón
Pasear y visitar a tu gente
Y nos quedamos un par de meses
Y no te vas arrepentir
Recuerda que te prometí
Que juntos nos fuéramos del país
Ese día puede ser mañana
Medellin, Santiago y Punta Cana
Lo que a unos mata, a otros sana
(Sana, sana)
Encuentro el camino en tu mirada
(No no)
Amar sin dejarlo mañana
(No no no no)
Te doy todo mi cuerpo y mi alma
Con un beso me lleva al nirvana
EN:
What kills some, heals others
(Heals, heals)
I find the way in your eyes
(No no)
To love without leaving tomorrow
(No no no no no)
I give you all my body and soul
With a kiss she takes me to nirvana
To love is out of fashion
I ask you for a wedding
To walk hand in hand
In this crazy life
And until the end together it's our destiny
I like it when she gets ready
When she combines shoes and clothes
You dress in white, black and blue
I like the way you look
And we went walking next to the restaurant
Some sushi to eat and extend the night
To celebrate our first time
I don't know if it was one, two or three o'clock
When for the first time I dared and kissed you
But I know
That at that moment you were my woman
What kills some, heals others
(Heals, heals)
I find the way in your eyes
(No no)
To love without leaving tomorrow
(No no no no no)
I give you all my body and soul
With a kiss she takes me to nirvana
You're the only one who knows
Only you, the only one who cures all my ills
Prepare your suitcases
What we're going on a trip today
Our thing is pure passion
A beautiful love fills the heart
And although we don't have a mansion
I dream of a house for both of us
Let's change continents
To see how the sun feels
Let's warm the heart
Walk around and visit your people
And we'll stay a couple of months
And you won't regret it
Remember what I promised you
That together we'd leave the country
That day may be tomorrow
Medellin, Santiago and Punta Cana
What kills some, heals others
(Heals, heals)
I find the way in your eyes
(No no)
To love without leaving tomorrow
(No no no no no)
I give you all my body and soul
With a kiss she takes me to nirvana
Instrumental. Modern salsa/ latin pop. Romantic, warm, upbeat & Instrumental. Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Piano, brass, Latin percussion with bongo, conga, guiro & cowbell.
Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Sung in Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Sung in Spanish. Male singer, piano, brass, Latin percussion with bongo, conga & cowbell. Suggested for Latin party & telenovella.歌词
ES:
Hace tiempo que no se de ti
Te confieso vivo en el ayer
De tu sonrisa
Mis días se tornan de color gris
Y aun no cierra esa cicatriz
Que no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
esas noches en que te llamé
fueron las veces que te recordé
acariciándome una y otra vez
tu y yo sabemos fue mas de una vez
sigues fingiendo estar feliz con otro
quedaste con el corazón bien roto
y sin nada
eras mi café del medio día
mi cigarrillo al comenzar el día
yo solo tu cuento de fantasias
al que besabas por hipocresía
yo confie en ti pero estabas con otro
quise olvidarte pero el corazón
Ya no me deja
esto me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
Hace tiempo que no se de ti
Te confieso vivo en el ayer
De tu sonrisa
Mis días se tornan de color gris
Y aun no cierra esa cicatriz
Que no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
Ya no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
EN:
It's been a long time since I heard from you
I confess you that I live in the yesterday
Of your smile
My days are turning gray
And still does not close that scar
That won't leave me
That kills me, poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
those nights when I called you
were the times I remembered you
caressing me again and again
you and I know it was more than once
you're still pretending to be happy with someone else
you were left with a broken heart
and with nothing
you were my midday coffee
my cigarette at the beginning of the day
I was just your fantasy story
I trusted you but you were with another one
I wanted to forget you but the heart
Won't let me anymore
This kills me it poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
It's been a long time since I heard from you
I confess you that I live in the yesterday
Of your smile
My days are turning gray
And still does not close that scar
That won't leave me
That kills me, poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
It no longer leaves me It kills me it poisons me
It runs through my veins
It pushes me and slows me down
It frees me and condemns me
towards you
Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Brass, piano & Latin percussion with gonga, timables, guiro & cowbell.
Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Sung in Spanish. Singer, brass, piano & Latin percussion with gonga, timables, guiro & cowbell. Suggested for Latin party. 歌词
ES:
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Oye caballero, lo que tiene esa negra es
Candela
Esa negra tiene
Mala la cintura
Quiere que la toque
Y me la lleve a la luna
Porque cuando ella mueve sus caderas
ya es un motivo de preocupación
Si sabe bien que estoy loco por ella
Y ella esta loca por bailar mi son
Pero no quiere que le digan nada
Cuando la ven llegando por la esquina
Porque ella sabe que es la mas buscada
Y yo soy el único que le gustó
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Ay dios,
Esa negra quiere lo que tengo yo
Le gusta mi salsa, se que le gustó
Y mas cuando lo esta tocando Boogaloo
Se activa
Cuando ella baila se pone agresiva
Porque al que dios se lo dio
San Pedro se lo bendiga
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Es una cosa que le sube
Es una cosa que le baja
Camínalo !
Es una cosa que le sube
Es una cosa que le baja
Y yo y yo
Y yo la quiero tener pa' mi
De mi esa negra esta enamorada
Es una cosa que le sube
Es una cosa que le baja
Gústele a quien le guste
Yo me quedo con mi negra
Ay no me digan mas nada
Es una cosa que le sube
Es una cosa que le baja
Y pensaste que se acabó?
No no no no no no
Es una cosa que le sube
Es una cosa que le baja
EN:
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Hey gentleman, what that black woman has is
Fire
That black woman has
A bad waist
She wants me to touch her
And take her to the moon
Cause when she moves her hips
She's a cause for concern
If she knows well that I'm crazy about her
And she's crazy about dancing to my tune
But she doesn't want to be told anything
When you see her coming around the corner
Cause she knows she's the most wanted
And I'm the only one who she liked
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Oh my God,
That black woman wants what I have
She likes my salsa, I know she does
And more when it's Boogaloo that's playing it
She gets active
When she dances she gets aggressive
Because to whom God gave it to
San Pedro will bless it
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
It's a thing that goes up
It's a thing that goes down
Walk it!
It's a thing that goes up
It's a thing that goes down
And I and I
And I want to have her for me
That black woman is in love with me
It's a thing that goes up
It's a thing that goes down
No matter who likes it
I'll stay with my black girl
Oh don't tell me nothing else
It's a thing that goes up
It's a thing that goes down
And you thought it was over?
No no no no no no
It's a thing that goes up
It's a thing that goes down
Groovy, jazzy & bluesy in the spirit of the 40's & 50's. Solo piano Groovy, jazzy & bluesy in the spirit of the 40's & 50's. Solo piano with boogie-woogie riff @ 0'40.
Scherzi musicali, SV 251: Scherzi musicali, SV 251: Zefiro torna e di soavi accenti [CLA3020 - 1]
0
6'42
克劳迪奥·蒙特威尔第
Proud & joyful. Aria. Small baroque music ensemble & female soprano. Proud & joyful. Aria. Small baroque music ensemble & female soprano. Ottavio Rinuccini's text.歌词
Zefiro torna e di soavi accenti L’aer fa grato e’l piè discioglie a l’onde. E mormorando tra le verdi fronde, Fa danzar al bel suon su’l prato i fiori. Inghirlandato il crin Fillid’e Clori Note temprando amor care e gioconde. E da monti (e da valli) ime (e profonde) Raddoppian l’armonia gli antri canori. Sorge più vaga in ciel l’aurora E’l sole sparge più luci d’or. Più puro argento, Fregia di Teti Il bel ceruleo manto.
Sol io, per selve abbandonate e sole, L’ardor di due begli occhi e’l mio tormento, Come vuol mia ventura hor piango, hor canto.
Traduction :
Zéphyr est de retour et le ciel retentit De délectables accents et fait bouger les ondes. Et murmurant entre les arbres, Il fait danser par cette belle musique les fleurs dans les prés.
Phyllis et Cloris, la tête couronnée de guirlandes, Jouent des notes d’amour douces et joyeuses. Et depuis les sommets (et les plaines profondes) Les antres mélodieux redoublent d’harmonie. L’Aurore surgit encore brumeuse Et le soleil répand ses lumières dorées. Le plus pur argent embellit Le beau manteau bleuté de Thétis.
Seul moi, dans les forêts abandonnées et solitaires, Comme le veut mon destin, je pleure et je chante L’ardeur de deux beaux yeux qui est mon tourment.
Ouverture pour deux violons Ouverture pour deux violons et basse continue en la majeur Op. 13 no. 3 - Allegro assai [CLA3026 - 17]
0
2'24
Jean-Marie Leclair
Solar & lively. Ouvertura for 2 violins & basso continuo in A major - Solar & lively. Ouvertura for 2 violins & basso continuo in A major - Op. 13 no. 3 - Allegro. Small baroque music ensemble.
Animated, almost childish, light & luminous. Analog modular synth. Animated, almost childish, light & luminous. Analog modular synth. Ems synthi aks. Suggested for digital art & light art.
Alternate version with reverberation. Confident, lively but Alternate version with reverberation. Confident, lively but meditative. Duduk & piano duet.
Solo duduk with drone. Sparse, narrative & plaintive. Suggested for Solo duduk with drone. Sparse, narrative & plaintive. Suggested for desert & arid landscape.
Fast boogie-woogie in the style of the 50's. Optimistic & bouncing. Fast boogie-woogie in the style of the 50's. Optimistic & bouncing. Lead piano, brass section with baritone sax & rhythm with claps. Solo guitar @ 0'36 & solo drums @ 1'30
Fast boogie-woogie in the style of the 50's. Optimistic & bouncing. Fast boogie-woogie in the style of the 50's. Optimistic & bouncing. Lead piano, brass section with baritone sax & rhythm. Solo guitar @ 0'36 & solo drums @ 1'30.
Fast boogie-woogie in the style of the 50's. Optimistic & bouncing. Fast boogie-woogie in the style of the 50's. Optimistic & bouncing. Lead piano, brass section with baryton sax & rhythm. Solo guitar @ 0'36 & solo drums @ 1'30.
Boogie-woogie in the spirit of the 40's & 50's. Swaying & exciting. Boogie-woogie in the spirit of the 40's & 50's. Swaying & exciting. Brass section featuring lead trumpet @ 0'36 & piano @ 1'30, rhythm with rolling bass & claps.
