Hip Hop track. Swagger, bouncy, stimulating, street-smart, stylish & Hip Hop track. Swagger, bouncy, stimulating, street-smart, stylish & confrontational. Strings @ 1'23. Beat, brass, choir & synth. For sport, entrance, competition, challenge, play off & video games.
Indie chill pop rock. Smooth, lounge, sensual, catchy, low-key & Indie chill pop rock. Smooth, lounge, sensual, catchy, low-key & cool. Female / male vocal (love lyrics). Guitar & drum. For indie movie, teenager, commercial & romance.歌词
So soft the kiss
Of your loving lips Heavenly bliss Don’t need more than this
I was fine, you were there Coming out from nowhere I was sure you’d be mine Until maybe the end of time
My hands on your shoulders waiting for dawn Then my hands on your hips dancing till dawn
On a summer ride With you by my side The summer taste On your sun kissed skin
I was fine, you were there Coming out from nowhere I was sure you’d be mine Until maybe the end of time
My hands on your shoulders waiting for dawn Then my hands on your hips dancing till dawn
Indie chill pop rock. Catchy, sunny, positive, lovely, dreamy & Indie chill pop rock. Catchy, sunny, positive, lovely, dreamy & carefree. Male & female singer (lofi recording), drum & guitar. For teenager, leisure, youth tv, commercial, web & sun / heat.歌词
There’s a song I wrote
I wrote for you
I’ve got to many things I need to say to you In your deep green eyes is where I lie It’s not over now
I’m a soul in disguise Sometimes wise
I was dying to meet you in the open wild It’s a hell of a story
Now that you’re here with me
Oh the world is yours
The world is mine
I would give it all and never look behind
Longing
I can’t stop longing
Longing for the summer to end and start again Her name was Daisy, oh she used to love me Smiling in the bright light
Holding me tight
Yeah you’re coming to my house in the summer time You’re running in the backyard and now you’re mine It’s a hell of a story
Now that you’re here with me
Longing
I can’t stop longing
Longing for the summer to end and start again Her name was Daisy, oh she used to love me Smiling in the bright light
Holding me tight
Tell me where can I go no bow and arrow now how should I go ?
come back with the fire and go where lovers go get on it, get on it
oh the river so calm it was the day before not far from home
And now make it glow go break the rhythm now show me how to go
I feel like i’m a stranger
an imposter playing all round the world keep an eye on the sly moon
walking high on a hot air balloon
Tell me where can I go ? no bow and arrow now how should I go ?
come back with the fire and go where lovers go get on it, get on it
the big star so bright
will light the road ahead down to the high golden gate
And now make it shower
with sparkle silver dust summer moon celebrate yeah
I feel like i’m a stranger
an imposter playing all round the world keep an eye on the sly moon
walking high on a hot air balloon
Heartfelt, electric, meaningful. Muffled synth keys play an emotive Heartfelt, electric, meaningful. Muffled synth keys play an emotive sequence, with subtle rhythmic stabs that give way to gradually growing percussion. Fragile melody performed vocals and guitar convey a feeling of longing and angst. A young individual suffering from heartache, trying to live their life but seeing their loved one everywhere.
Heartfelt, electric, meaningful. Muffled synth keys play an emotive Heartfelt, electric, meaningful. Muffled synth keys play an emotive sequence, with subtle rhythmic stabs that give way to gradually growing percussion. A young individual suffering from heartache, trying to live their life but seeing their loved one everywhere. Instrumental version.
Heartfelt, electric, meaningful. Muffled synth keys play an emotive Heartfelt, electric, meaningful. Muffled synth keys play an emotive sequence, with subtle rhythmic stabs. A young individual suffering from heartache, trying to live their life but seeing their loved one everywhere. Stripped back underscore version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with bass and male vocals bragging about strength and prowess. Rap vocal style conveys self-assured atmosphere. Rise into EDM drop at 00:37 with trippy synths and large bass. Superhero energy from lyrics about a superior power and bravery. Hype rap verse at 01:26 displays talent through pacy delivery of lyrics about not needing any help or validation.歌词
I’m the bigger man, I’m the bigger man,
Standing like a giant,
Making moves that shake your city down,
I’m the bigger man,
I’m the bigger man,
Bring it to fruition,
Making digits every minute, damn,
I’m the bigger man, I’m the bigger man,
Ain’t afraid of anything,
I do it ‘cause I said I can, I’m the bigger man,
I’m the bigger man,
Ain’t afraid of losing it,
‘Cause winning is my only plan.
Started low,
Here we go, Yeah,
Check my facts
Speak and act,
Wow, From the dust To the crown, Yeah,
Take it or leave it,
Ain’t gonna let no one in my head, yeah,
Cause I’ll be flying like I mean it man (I mean it!),
Saving all the ones who said I couldn’t be me,
Used to have a lot of doubt about myself (facts),
But now I shining brighter than you’ll ever be.
I’m the bigger man,
I’m the bigger man,
Standing like a giant,
Making moves that shake your city down,
I’m the bigger man,
I’m the bigger man.
Bring it to fruition
Making digits every minute, damn.
I’m the bigger man,
I’m the bigger man,
Ain’t afraid of anything,
I do it ‘cause I said I can,
I’m the bigger man,
I’m the bigger man,
Ain’t afraid of losing it,
‘Cause winning is my only plan.
I don’t give a damn,
Cause I know,
Got a chip on my back,
Giving you facts,
Right off the bat, It’s an attack,
Started by me, I can do that,
I don’t need no validation from you, I am a king,
You better bow, I don’t see no enemies,
They went away like a cloud,
I’m in my zone, I’m in my zone, Before you talk,
Look where I’m at, Better look up, Yea!
Cause I'll be flying like I mean it, man (I mean it!),
I don’t need to cool it down, I make it clear,
Cruising ‘cause I’m always in my element,
Getting what I want,
‘Cause what I do is what I said I will.
I’m the bigger man,
I’m the bigger man (yea),
Standing like a giant,
Making moves that shake your city down,
I’m the bigger man,
I’m the bigger man (yea),
Bring it to fruition,
Making digits every minute, damn,
I’m the bigger man,
I’m the bigger man,
Ain’t afraid of anything I do it ‘cause I said I can,
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with bass. Rise into EDM drop at 00:37 with trippy synths and large bass. Slick style conveys talent through pacy production. Trap energy from vocal ad libs and sub bass illustrates a sense of energy. Instrumental version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with bass. Rise into EDM drop at 00:37 with trippy synths and large bass. Slick style conveys talent through pacy production. Trap energy from vocal ad libs and sub bass illustrates a sense of energy. Stripped back underscore version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence. Launch into EDM drop at 01:28 with trippy synths and large bass. Trappy hi-hats and vocal ad libs convey a hip-hop energy, conveying confidence and style. Instrumental version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence. Rise into EDM drop at 01:28 with trippy synths and large bass. Trappy hi-hats and vocal ad libs convey a hip-hop energy, conveying confidence and style. Stripped back underscore version.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space. Male vocals about feeling assured, looking for light to block out the darkness, having an epiphany. Break into heavy rap instrumentation with vocals echoing out from somewhere high and important. Trusting in oneself, doing what you believe is right. Clattering cymbals and percussive FX communicating a sense of chaos, contrasting with determined vocal delivery.歌词
Look around, Realise there’s no better place, See the light in your eyes,
Ain’t no better space, I can glow, I can shine,
Ain’t no better days, Moving boulders out the dark,
So I can See the rays,
All the time try to find, How you had it wrong,
Can you cut yourself some slack?
Cause it's been too long, Turn the Tv channel off,
You don’t need it on,
Take it back to where it’s at,
For you to move along.
Yeah, Up on the the top
Level unlocked,
Why you moving stones?
We keep it loose, We keep it hot,
Making you lose control,
You care bout me? Don’t care a lot,
That’s why I got the flow, Taking it minute by minute, I can’t wait to hit it, I’m running the show, And I know that you notice, I’m on a mission, My weapon is loaded with ammunition,
my mental is right for this very moment,
Don’t need no approval or recognition,
My decisions are based on the feeling of trusting my vision,
I’m charging through all the glass in the ceiling,
I’m showing you facts,
To be exact, I’m here to act,
I’m here to win it!
Look around, Realise there’s no better place, See the light in your eyes, Ain’t no better space, I can glow, I can shine, Ain’t no better days, Moving boulders out the dark, So I can See the rays, All the time try to find, How you had it wrong, Can you cut yourself some slack? Cause it's been too long, Turn the Tv channel off, You don’t need it on, Take it back to where it’s at, For you to move along.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space, visions of a superhero floating in the distance, trusting in themselves. Instrumentation builds alongside ticking percussion. Break into heavy electronic instrumentation. A sense of self assurance, trusting in oneself and doing what you feel is right. Clattering cymbals and percussive FX communicating a sense of chaos, contrasting with triumphant melodies. Instrumental version.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space, visions of a superhero floating in the distance, trusting in themselves. Instrumentation builds alongside ticking percussion. Break into heavy electronic instrumentation. A sense of self assurance, trusting in oneself and doing what you feel is right. Clattering cymbals and percussive FX communicating a sense of chaos, contrasting with triumphant melodies. Stripped back underscore version.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space, launch into sudden serious section with heavy percussion hammering out a sense of intensity and drama. Large riser into climax at 00:55 with war drums and cataclysmic melodies. Stripped back underscore version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with crackling vocal samples. Launch into EDM drop at 01:28 with trippy synths and large bass. Vocal ad libs and large drums convey a hip-hop energy, conveying confidence and style.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space with a voicelike melody following with it. Shift into determined section with heavy percussion hammering out a sense of intensity and drama. Large riser into climax at 00:55 with war drums and cataclysmic melodies.
Groovy, kitsch/cheesy, quirky & tender with a touch of melancholy. Groovy, kitsch/cheesy, quirky & tender with a touch of melancholy. Pizz, bass synth, hip-hop beat & glockenspiel. Piano @ 0'23. Suggested for opening/ending credits & comedy shows.
Attitude, laid-back & swagger hip-hop sung in Spanish & English. Attitude, laid-back & swagger hip-hop sung in Spanish & English. Dedicated to female friends. Female rap singer, electric harpsichord, synth, fx bullet, fx vinyl noise & electronic percussion. Interlude @ 2'17.歌词
ES:
tengo el quinto elemento
represión automática
las niñas de mis ojos
rugen humo mientras bailan
hombros anchos y altas
fuertes como jabatas
mascarillas azules
y unas velas aromáticas
a pesar del chandal somos todas muy románticas
y cada rumba sale directa del anima
donde no hay dinero hay carisma y sociedad
no somos gatas de teoría somos prácticas
somos prácticas
somos prácticas
tenemos el pelo como las lobas árticas
somos prácticas
somos prácticas
las malas tenemos conexión telepática
guárdate para ti toda tu insulsa plática
la noche se presenta juguetona y acida
y he contao' las veces que me has mirao' pasar
no me hagas tener que sumártelas
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
miran de reojo por la rabia
quieren bailar salsa con nosotras para oler la jacaranda
mírale a la cara mientras baja
brujas con sus capsulas letales como efímeras erráticas
es el truco que nunca le falla
fire on the zone cuz she got the sauce got it from her mama
en la pista es como una bala
rapida precisa y luego mata
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
hasta romper el pantalón
hasta romper el pantalón
hasta romper el pantalón
no somos gatas de teoría somos prácticas
somos prácticas
no somos gatas de teoría
EN:
I have the fifth element
automatic repression
the girls of my eyes
roar smoke as they dance
broad-shouldered and tall
strong as jabatas
blue masks
and scented candles
in spite of the tracksuit we are all very romantic
and every party comes straight from the soul
where there is no money there is charisma and society
we are not theory cats we are practical
we are practical
we are practical
we have hair like the arctic she-wolves
we are practical
we are practical
we bad girls have telepathic connection
keep all your dull chatter to yourself
the night comes playful and acidic
and I've counted all the times you've watched me pass by
don't make me have to add them up to you
skinny African hours of heat
shining with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
skinny african hours of heat
I shine with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
they look sideways out of rage
they want to dance salsa with us just to smell the jacaranda
look at their face as it goes down
witches with their lethal capsules as ephemeral erratics
it's the trick that never fails them
fire on the zone cuz she got the sauce got it from her mama
on the dance floor she' s like a bullet
fast accurate and then kills
skinny African hours of heat
shining with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
skinny african hours of heat
I shine with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
till we rip our pants
till we rip our pants
till we rip our pants
we are not theory cats we are practical
we are practical
we are not theory cats
Explicit. Attitude, laid-back & swagger hip-hop sung in Spanish. Explicit. Attitude, laid-back & swagger hip-hop sung in Spanish. Dedicated to female friends. Female rap singer, electric harpsichord, synth, fx bullet, fx vinyl noise & electronic percussion. Interlude @ 2'17.歌词
ES:
tengo el quinto elemento
represión automática
las niñas de mis ojos
rugen humo mientras bailan
hombros anchos y altas
fuertes como jabatas
mascarillas azules
y unas velas aromáticas
a pesar del chandal somos todas muy románticas
y cada rumba sale directa del anima
donde no hay dinero hay carisma y sociedad
no somos gatas de teoría somos prácticas
somos prácticas
somos prácticas
tenemos el pelo como las lobas árticas
somos prácticas
somos prácticas
las malas tenemos conexión telepática
guárdate para ti toda tu insulsa plática
la noche se presenta juguetona y acida
y he contao' las veces que me has mirao' pasar
no me hagas tener que sumártelas
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
miran de reojo por la rabia
quieren bailar salsa con nosotras para oler la jacaranda
mírale a la cara mientras baja
brujas y pastillas en la rave como efímeras erráticas
es el truco que nunca le falla
fire on the zone cuz she got the sauce got it from her mama
en la pista es como una bala
rapida precisa y luego mata
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
hasta romper el pantalón
hasta romper el pantalón
hasta romper el pantalón
no somos gatas de teoría somos prácticas
somos prácticas
no somos gatas de teoría
EN:
I have the fifth element
automatic repression
the girls of my eyes
roar smoke as they dance
broad-shouldered and tall
strong as jabatas
blue masks
and scented candles
in spite of the tracksuit we are all very romantic
and every party comes straight from the soul
where there is no money there is charisma and society
we are not theory cats we are practical
we are practical
we are practical
we have hair like the arctic she-wolves
we are practical
we are practical
we bad girls have telepathic connection
keep all your dull chatter to yourself
the night comes playful and acidic
and I've counted all the times you've watched me pass by
don't make me have to add them up to you
skinny African hours of heat
shining with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
skinny african hours of heat
I shine with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
they look sideways out of rage
they want to dance salsa with us just to smell the jacaranda
look at their face as it goes down
witches and pills at the rave as ephemeral erratics
it's the trick that never fails them
fire on the zone cuz she got the sauce got it from her mama
on the dance floor she' s like a bullet
fast accurate and then kills
skinny African hours of heat
shining with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
skinny african hours of heat
I shine with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
till we rip our pants
till we rip our pants
till we rip our pants
we are not theory cats we are practical
we are practical
we are not theory cats
Nocturnal, sentimental & attitude hip-hop sung in Spanish. Tired of Nocturnal, sentimental & attitude hip-hop sung in Spanish. Tired of an undecided lover. Female rap singer, voice & guitar sampling, electronic percussion. Vocal climax @ 2'42.歌词
ES:
tengo las horas contadas con esta nena
y la tortura del recuerdo ya se inclina en mi cabeza
y es que no veas
las cartas que juega
se las guarda detrás de la oreja
bailando en la plaza con la niña
van par de litronas pero ella va tan fina
con sus pantalones rotos justo en la rodilla
con su cigarrillo y sus pestañas postizas
yo es que voy sin prisa
yo es que voy sin prisa
pero reconozco que contigo nunca he sido mu tranquila
me pierdo con los nombres que han pasao' después de ti
con todos esos verdes en Pinar de Chamartín
me acuerdo de ti nena me acuerdo de ti
me acuerdo de ti nena me acuerdo de ti
llevo preocupada desde que te conocí
estoy anestesiada con tu saliva de anís
y siempre que salgo por las noches de Madrid
te acabo escribiendo algún mensaje
para ti para ti siempre hay uno para ti
para el fuego de tus labios disfrazados de carmin
tu pelo rapado y tus ojos medio green
para las noches tocando la guitarra junto a mi
para ti para ti siempre hay uno para ti
te dedico mis versitos favoritos del Joaquín
te dedico todas las fotos en las que me haces reír
te dedico hasta el romero de las rosas del jardin
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
dime si me vas a llamar
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
deja la tortura pa' Alejandro Sanz
y no te des por aludida
que no va por ti, te lo juro por mi vida
tengo la saudade aquí en la tripa metidita
será la pastilla que mordimos aquel dia
tu mirada es ácida como los pica pica
tu piel es el paper del tabaco que te lias
eres el sabor amargo de una mora fría
se te acaba el tiempo y ahora el mío desperdicias
me arde la retina de ver tanta tontería
tengo toas' las medias rotas de todas tus chinas
también me has quemado el corazón con tanta chispa
bonita, tienes que ser más decidida
aunque la tonta sea yo porque te lo permita
aunque lo máximo que hago es marcarme unas rimas
aunque cuando esté delante tuya me derrita
nena, se mas comprensiva
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
dime si me vas a llamar
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
dime si me vas a llamar
dime si me vas a llamar
dime si me vas a llamar
dime si me vas a llamar
deja la tortura pa' Alejandro Sanz
dime si me vas a llamar
dímelo ma
dímelo
EN:
my hours are nearly due with this girl
and the torture of the memory is leaning in my head
and you can't see
the cards she plays
she keeps them behind her ear
dancing in the square with the girl
they go with a couple of litronas but she goes so refined
with her pants torn right above the knee
with her cigarette and her false eyelashes
I'm in no hurry
I'm in no hurry
but I recognise that with you I've never been very calm
I get lost with the names that have passed after you
with all those greens in Pinar de Chamartin
I remember you baby I remember you
I remember you baby I remember you
I've been worried since I met you
I'm numb with your aniseed saliva
and whenever I go out at night in Madrid
I end up writing you a message
for you for you there is always one for you
for the fire of your lips disguised as carmine
your shaved hair and your half green eyes
for the nights playing the guitar next to me
for you for you there's always one for you
I dedicate to you my favorite verses of Joaquin
I dedicate to you all the pictures in which you make me laugh
I dedicate to you even the rosemary of the roses in the garden
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
tell me if you'll call me
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
leave the torture for Alejandro Sanz
and don't take it personal
It' s not about you I swear it on my life
I've got the saudade here in my gut
Maybe it's the pill that we bit that day
your gaze is acidic like the pica pica
your skin is the paper of the tobacco that you roll
you're the bitter taste of a cold blackberry
you're running out of time and now you're wasting mine
my retina burns from seeing so much nonsense
I've got all the socks torn from all your stones
you've also burnt my heart with so much sparkle
beautiful, you have to be more determined
even though I'm the fool because I let you do it
even though the most I do is to score me some rhymes
even though when I'm in front of you I melt
baby, be more understanding
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
tell me if you'll call me
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
tell me if you'll call me
tell me if you'll call me
tell me if you'll call me
tell me if you'll call me
leave the torture for Alejandro Sanz
Hard rock / heavy metal. Proud, swagger, bluesy, uplifting & strong. Hard rock / heavy metal. Proud, swagger, bluesy, uplifting & strong. Distorded vocal, drum & clap, guitar. For sport / video games / motor racing.
70's hard rock / metal. Heavy, energetic, eccentric & strong. Lead 70's hard rock / metal. Heavy, energetic, eccentric & strong. Lead guitar @ 1'04. Guitar riff & drum. For motor racing / sport / video games.
Hard rock / metal. Pounding, stimulating, energetic, hammering & Hard rock / metal. Pounding, stimulating, energetic, hammering & fiery. Lead guitar & drum. For extreme sports / entertainment / video games.
Hard rock / 70's heavy metal. Fast, positive, energetic & bluesy. Hard rock / 70's heavy metal. Fast, positive, energetic & bluesy. Lead guitar @ 1'02. For motor racing / american roads / stadium / sport.
Hard rock / metal. Bold, proud, stoner & strong. Distorded guitar Hard rock / metal. Bold, proud, stoner & strong. Distorded guitar riff & drum. For extreme sport / motor racing / entertainment / stadium.
