Laidback, party, flirtatious. Glissando reverbed keys give a Laidback, party, flirtatious. Glissando reverbed keys give a luxurious energy as people chat in a party situation. Launch into fun hip hop vibe with male vocals setting a party pace for people dancing. Lively vibe contrasted with cool relaxed instrumentation. Male vocals flirt with lyrics about two people liking eachother, complimentary to a significant other.Lyrics
We gon’ keep that thang just vibing, We gon’ keep that thang just vibing, We gon’ keep that thang just moving, We gon’ keep that thang just moving, We just want to see you work, We just want to see you work.
You just clocked out your day shift, On the way to the club for your late shift, I mean you dance but you're not kind that take tips, But you should, ‘cause I seen how you shake hips (dang hold on), I want to see you, work, This ya song gon’ hit a little twerk, It’s getting late, hope you ain't gotta work, In the morning, be safe getting home, They patrolling, You said bye fuve times as you going, You ain't really trying to leave we be knowing, Man You know you're about to call in and, Next week you're going to call in again.
We gon’ keep that thang just vibing, We gon’ keep that thang just vibing, We gon’ keep that thang just moving, We gon’ keep that thang just moving, We just want to see you work, We just want to see you work.
Laidback, party, flirtatious. Glissando reverbed keys give a Laidback, party, flirtatious. Glissando reverbed keys give a luxurious energy, visions of a fancy party in a modern bar or penthouse. Launch into fun hip hop vibe with monophonic lead melody contrasted cloudy delayed keys. Relaxed vibe gives a warm sultry energy. Instrumental version.
Laidback, party, flirtatious. Glissando reverbed keys give a Laidback, party, flirtatious. Glissando reverbed keys give a luxurious energy, visions of a fancy party in a modern bar or penthouse. Relaxed vibe gives a warm sultry energy, jazzy chords offer a sense of comfort and coolness. Stripped back underscore version.
Groovy, funky, warm. Deep fluffy synth chords play out with bright Groovy, funky, warm. Deep fluffy synth chords play out with bright hip hop leads leading into fun beat and charismatic male vocals. A party all over the city with mentions of compass points. Rapping lyrics paint a picture of a cool individual riding through the streets, talking to girls and feeling their own style. Big bass give a confident tone.Lyrics
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on i don't need you to lie to me) Come on we got that sound don't we, (come on i don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
West side, South side, North side, East side, Uh what side you on, What what side you on, Yeah what side you on, What what side you on.
Look im on the north side tonight we creepin, Its a 4 day weekend so we 4 times turnt we just lit 4 up, So we pulled up geekin she was talking to you till I arrived with a crew now I know that hurt, Went from holdin my stance to doing my dance and shawty got back show me how that work, Im just keeping it real i just need my thrills when they play my song shawty know my verse, Aw man im the star of the function and its causing commotion but its all in conjunction see, Me and mans came with the jams so do your part and shake a lil yams, We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
Groovy, funky, warm. Deep fluffy synth chords play out with bright Groovy, funky, warm. Deep fluffy synth chords play out with bright hip hop leads leading into funky beat. Soul-style bass and simple lead give a throwback vibe, 90s style. Big boom bap percussion offers a confident tone. Instrumental version.
Groovy, funky, warm. Deep fluffy synth chords play out with bright Groovy, funky, warm. Deep fluffy synth chords play out with bright hip hop leads leading into funky beat. Soft percussion and soul-style bass give a throwback 90s vibe. Stripped back underscore version.
Cheeky, charismatic, flirty. Comical intro with dramatic organs as DJ Cheeky, charismatic, flirty. Comical intro with dramatic organs as DJ gives a sense of arrogance, teasing men with their irresistible style. Sultry hip hop instrumentation adds to a sense of smooth womanising aura. Male vocals calmly deliver lyrics giving confidence.Lyrics
We apologize, If your girl left you tonight, We sorry.
You better come get your girl player, Cause I think she watchin, (you better leave my girl alone man) But you know what's crazy? WHAT! I swear home girl, She done chose, You better watch your girl, She chose us, You better watch your girl, She chose us, You better watch your girl, She chose us, Aye playa You better watch your girl, Whoooo.
Aw damn that that was your girl, Thats your girl, The one that just chose us, Ima smoother operator, Shoes alligator, You a imitator, Ima innovator, She just came to me with an invitation after hittin' you with an ultimatum, After birth, I destroyed the mold in which they made em, You aint freshazimiz dawg aint no debatin, I was holding auditions sorry she kept you waiting, You might get you a lil sumn for participating, You might get you al lil whip nah I was just playing, I mean I got but I aint got a chick is what im saying, I mean you is looking thick but, Somebody come get their chick bruh.
You better come get your girl player, Cause I think she watchin, (you better leave my girl alone man) But you know what's crazy? WHAT! I swear home girl, She done chose, You better watch your girl, She chose us, You better watch your girl, She chose us, You better watch your girl, She chose us, Aye playa You better watch your girl, Whoooo, don't watch your girl, Go watch your girl, Come watch your girl.
Smooth, charismatic, romantic. Dramatic organs and piano play out Smooth, charismatic, romantic. Dramatic organs and piano play out before smooth sultry hip hop instrumentation. Low warbling keys give a warm stylish feeling as steady boom bap percussion offers a slick coolness. Instrumental version.
Smooth, charismatic, romantic. Dramatic organs and piano play out Smooth, charismatic, romantic. Dramatic organs and piano play out before smooth sultry hip hop instrumentation. Low warbling keys give a warm stylish feeling as steady boom bap percussion offers a slick coolness. Stripped back underscore version.
Confident, passionate, demanding. Emotive lofi whistling sample is Confident, passionate, demanding. Emotive lofi whistling sample is taken on by smooth synths, giving a feeling of melancholy contrasted by lively ad libs. Male vocals give a sense of style and a commanding persona as lyrics talk about taking what you want and being proactive. Male vocals give a sense of arrogance and desire, backed up by gloomy instrumentation.Lyrics
And we went from the house to the, To the car to the, To the bank to the, To the Jeep, From the car to the, To the house to the, To the bank to the, To the Jeep, We want it all, we want it, We want it all, we want it, We want it all, we want it, We want it all, we want it.
I'm like woop woop, Okay what it do, I'm making big moves, Yea I'm coming through, While you're playing, Negotiating, what is you saying, Nah I ain't with the chit chat, I need a big bag, If she got a big ugh, Well then back it up, I need this that, And the third too, I got options, But I prefer you, I’ve been on the grind, but I ain't pretty Ricky, I need it all, I ain't doing 50/50, I got the pack on me, Iit's that sticky icky, Yea it’s up so, Holla if you with me, And we went from the car to the, (It’s a Lexus) Yea we went to the house to the, (It’s a mansion) Pulled up to the bank just to, (Put some cash in) Now we in the Jeep with the. (Speaker blasting)
And we went from the house to the, To the car to the, To the bank to the, To the Jeep, From the car to the, To the house to the, To the bank to the, To the Jeep, We want it all, we want it, We want it all, we want it, We want it all, we want it, We want it all, we want it.
Confident, passionate, tragic. Emotive lofi whistling sample is taken Confident, passionate, tragic. Emotive lofi whistling sample is taken on by smooth synths, giving a feeling of melancholy. Gloomy instrumentation give a sense of struggle and honour. Instrumental version.
Confident, passionate, tragic. Emotive lofi whistling sample is taken Confident, passionate, tragic. Emotive lofi whistling sample is taken on by smooth synths, giving a feeling of melancholy. Contrasted by heavy beats with commanding sub bass. Stripped back underscore version.
Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy feel as R&B-inspired beat gives a sense of style and pageantry. Male vocals rap about being real, rivalries with other guys. Toxic masculine vibe mixed with a cool calm tone.Lyrics
Dem boys over there aint bout to do nothing, Dem boys over there aint finna do nothing, Dem boys over there aint bout to do nothing, Dem boys over there aint finna do nothing you better, Shhhh cut all that noise, Shhhh cut all that noise out, Shhhh cut all that noise, Shhhh cut all that noise out, cut all that noise, cut all that noise out, cut all that noise, cut all that noise out.
Shhh quit the yappin if you aint bout that action, You a internet thug you be cappin, When its really time to move you be bufferin, Like he gon do something but you laggin, You aint saying nothing I just read the captions, And we here too deep came through the backend, Said it wasnt nothing turned it into something, Paty went from jumpin to someone getting jumped in, Better cut all that noise, (BE QUIET) Better cut all that noise out boy, (BE QUIET) Better cut all that noise, (BE QUIET) Before somebody bring the toys out.
Dem boys over there aint bout to do nothing, Dem boys over there aint finna do nothing, Dem boys over there aint bout to do nothing, Dem boys over there aint finna do nothing you better, Shhhh cut all that noise, Shhhh cut all that noise out, Shhhh cut all that noise, Shhhh cut all that noise out, cut all that noise, cut all that noise out, cut all that noise, cut all that noise out, BE QUIET, BE QUIET, BE QUIET, BE QUIET.
Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy feel as R&B-inspired beat gives a sense of style and pageantry. Cool vibe from icy synths leaking over groovy beat. Instrumental version.
Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy feel as R&B-inspired beat gives a sense of style and pageantry. Cool vibe from icy synths leaking over groovy beat. Stripped back underscore version.
Atmospheric, euphoric, assertive. Soft pillowy keys play out an Atmospheric, euphoric, assertive. Soft pillowy keys play out an emotive progression before full beat gives a sense of euphoric power, male vocals give a sense of skill and talent atop emotive instrumentation. Lyrics use bounce to give a sense of infectious buoyancy. Fresh and emotive style gives a feeling of realness and passionate performance.Lyrics
I ain’t come to flex but I’m bout it, They said they was next but I doubt it, It come in, I spend I don’t count in, Cash in & cash out, I’m well rounded, Cuz we bouncing around bouncing around bounce, Rolling around rolling around roll, Coasting around coasting around coast, Strolling around strolling around stroll.
I got that bounce indeed, Took the game by surprise, they account for me, I need a her over there and an ounce of, I got that dog me, so come bounce with me, Fresh like I just came out the package, They gon try but nah they can’t match it, I came back outside and they lacking, I came back outside to get active, Said you was rider, Tell me is you sliding.
I ain’t come to flex but I’m bout it, They said they was next but I doubt it, It come in, I spend I don’t count in, Cash in & cash out, I’m well rounded, Cuz we bouncing around bouncing around bounce, Rolling around rolling around roll, Coasting around coasting around coast, Strolling around strolling around stroll.
Atmospheric, euphoric, assertive. Soft pillowy keys play out an Atmospheric, euphoric, assertive. Soft pillowy keys play out an emotive progression before full beat gives a sense of euphoric power. Fresh and emotive instrumentation style gives a feeling of realness and passion. Instrumental version.
Atmospheric, euphoric, assertive. Soft pillowy keys play out an Atmospheric, euphoric, assertive. Soft pillowy keys play out an emotive progression before full beat gives a sense of euphoric power. Fresh and emotive instrumentation style gives a feeling of realness and passion. Stripped back underscore version.
Slick, romantic, charismatic. Emotive sustained keys set out a warm Slick, romantic, charismatic. Emotive sustained keys set out a warm and romantically charged atmosphere before a hip hop beat sweeps instrumentation up with a confident rhythm. Male vocals reminisce about times with a loved one. Two stylish people flirting with eachother. Austere style offers a feeling of real emotion mixed with naughty club vibes.Lyrics
I want that, I need that, I got that, I had a little boo thang, And we had some good times, We had some wild times, We had some wild times, We had some wild times, We had some wild times.
Pulled up at the party with my crew in the cut, Seen shorty from the way she was moving her what, Had slide over see what she talmbout, I'm a smooth operator I been wooing and such, I'm like let's leave, she said I'm doing too much, But the way she looked at me, I knew what was up, They was playing old school, we was doing the butt, We in our part of town so we throwing it up, And somebody say something then we don't give what It’s a celebration so you know we pouring it up, Said you don't have to call cuz you know I'm the plug, She said you know when to ball or be humble and stuff, And she like that….well drop it down low and bring it right back, I said one more song then a night cap, I said one more song then a night cap.
I want that, I need that, I got that, I had a little boo thang, And we had some good times, We had some wild times, We had some wild times, We had some wild times, We had some wild times.
Slick, romantic, charismatic. Emotive sustained keys set out a warm Slick, romantic, charismatic. Emotive sustained keys set out a warm and romantically charged atmosphere before a hip hop beat sweeps instrumentation up with a confident rhythm. Austere style offers a feeling of real emotion mixed with a dancey club vibe. Instrumental version.
Slick, romantic, charismatic. Emotive sustained keys set out a warm Slick, romantic, charismatic. Emotive sustained keys set out a warm and romantically charged atmosphere before a hip hop beat sweeps instrumentation up with a confident rhythm. Austere style offers a feeling of real emotion mixed with a dancey club vibe. Stripped back underscore version.
Groovy, warm, melancholy. Emotive soft piano chords play out before Groovy, warm, melancholy. Emotive soft piano chords play out before launching into funky modern soul instrumentation. Breathy female vocals give a sense of nostalgic, inspired by lyrics about an infectious feeling, a passion driving things in a funky stylish way. Euphoric strings and pads enter, giving a starry atmosphere, joining impassioned vocals.Lyrics
You lost yourself in a dozen ways, Just tryn’a keep up with the passing days, I dropped my head, when I felt the same, But now I've got this feeling that’s, Holding on to me, I don't know how you feel inside, But I can help you let go if you feel alright, You've got my attention if you want it, I'll make a promise, we're like a satellite, And we've got something now we're taking off, We can find the space to make it light.
We'll find the views above the clouds, No you won’t start falling if you don't look down, You found a way to make it out, And now I've got this feeling that’s, Holding on to me, I don't know how you feel inside, But I can help you let go if you feel alright, You've got my attention if you want it, I'll make a promise, we're like a satellite, We've got something that could set the sky alight, I can help you let go if you feel alright, You've got my attention if you want it, I'll make a promise, we're like a satellite, And We've got something now we're taking off, We can find the space to make it light.
Groovy, warm, melancholy. Emotive soft piano chords play out before Groovy, warm, melancholy. Emotive soft piano chords play out before launching into funky modern soul instrumentation. Euphoric strings and pads enter, giving a starry atmosphere, claps and cool bass keep things stylish. Instrumental version.
Groovy, warm, melancholy. Emotive soft piano chords play out before Groovy, warm, melancholy. Emotive soft piano chords play out before launching into funky modern soul instrumentation. Strings and glassy keys at points give a starry-eyed atmosphere. Stripped back underscore version.
Slick, nostalgic, stylish. 80s throwback instrumentation rushes out Slick, nostalgic, stylish. 80s throwback instrumentation rushes out with confident pace and sharp guitar. Pristine male vocals sing lyrics about working hard, staying determined despite losses. Chorus hook gives a searing retro vibe with soaring guitar and sparkly keys. Bass and drums stay consistent, offering a sense of unbeatable energy and style.Lyrics
Took so many Ls the wins are light work, Think later fight first, don't care if it hurts.
I'll take it to the face, It’s fine I don't care, I'll put on a show, I want you to stare.
No pain, No gain, So I stay heavy lifting, On a mission, So consistent, I.
Put in the work, 'Til it hurts.
Heavy lifting, On a mission, So consistent.
Ooo, it’s electric, (It’s electric) I'm a live wire, Baby, come test it!
Ooo, heavy lifting, (Heavy lifting) don't call it magic, Call it consistent.
Ooo, it’s electric, (It’s electric) I'm a live wire, Baby, come test it!
Ooo, heavy lifting, (Heavy lifting) don't call it magic, Call it consistent.
Took so many Ls the wins are light work, Took it to the field, My game is tighter, Put it on the barbell and lift the curse, Is it worse, To cop out or finish first.
No pain, No gain, So I stay heavy lifting, On a mission, So consistent, I.
Ooo, it’s electric, (It’s electric) I'm a live wire, Baby, come test it!
Ooo, heavy lifting, (Heavy lifting) don't call it magic, Call it consistent.
Ooo, it’s electric, (It’s electric) I'm a live wire, Baby, come test it!
Ooo, heavy lifting, (Heavy lifting) don't call it magic, Call it consistent.
Took so many Ls the wins are light work, Think later fight first, don't care if it hurts.
I'll take it to the face, It’s fine I don't care, I'll put on a show, I want you to stare.
Took so many Ls the wins are, Took so many Ls the wins are, Took so many Ls the wins are light work, The wins are light work.
Ooo, it’s electric, (It’s electric) I'm a live wire, Baby, come test it!
Ooo, heavy lifting, (Heavy lifting) don't call it magic, Call it consistent.
Ooo, it’s electric, (It’s electric) I'm a live wire, Baby, come test it!
Ooo, heavy lifting, (Heavy lifting) don't call it magic, Call it consistent.
Slick, nostalgic, stylish. 80s throwback instrumentation rushes out Slick, nostalgic, stylish. 80s throwback instrumentation rushes out with confident pace and sharp guitar. Chorus hook gives a searing retro vibe with soaring guitar and sparkly keys. Bass and drums stay consistent, offering a sense of unbeatable energy and style. Instrumental version.
Slick, nostalgic, stylish. 80s throwback instrumentation rushes out Slick, nostalgic, stylish. 80s throwback instrumentation rushes out with confident pace and pretty keys. Bass and kick drum stay consistent, offering a sense of unbeatable energy and style. Stripped back underscore version.
Uplifting, empowering, dreamy. Warm keys rise into cool soulful Uplifting, empowering, dreamy. Warm keys rise into cool soulful instrumentation. Echoing female vocals build as instrumentation does into starry-eyed disco vibe. Lyrics bring a spirited energy conjuring visions of two lovers against the world, a sense of unbeatable confidence and joy in eachother as chorus brings explosive power. Build up with backing vocals at 01:32 gives a sense of communal spirit before big cool breakdown.Lyrics
I'm staying busy, I'm working hard, But I think of you, When I'm reaching for the stars.
So take it easy, There's nothing standing in our way, Stay with the feeling, And we'll make time for us today.
This time for us, This time for us.
You're on my level, I'm on your side, Now I'm coming over and we're stepping off the ride,
Let's fly away, Real soon, Let's fly away, Meet me on the moon.
Na na na na na, This time for us.
So take it easy, There's nothing standing in our way, Stay with the feeling, And we'll make time for us today.
Uplifting, empowering, dreamy. Warm keys rise into cool soulful Uplifting, empowering, dreamy. Warm keys rise into cool soulful instrumentation. Echoing guitar slaps out along with twinkling keys as drums bring a thrusting energy. A stylish energy with risers and incessant drums providing power, proud and jubilant people enjoying dancing and looking stylish. Layers of synths give a sense of modernity. Instrumental version.
Uplifting, empowering, dreamy. Drums build up into soulful vibe with Uplifting, empowering, dreamy. Drums build up into soulful vibe with echoing guitar slapping out and crowd FX offering a communal energy. A stylish aura with risers and incessant drums providing power, proud and jubilant people enjoying dancing and looking stylish. Stripped back underscore version.
Sultry, groovy, stimulating. Strong bass leads instrumentation as Sultry, groovy, stimulating. Strong bass leads instrumentation as throwback funk style with sharp slapback guitars plays out. Raspy whispered male vocals give a sexy vibe with lyrics inviting an upbeat feeling with lyrics about feeling carefree and pleasure. Charismatically agile vocal performance matches with booming bass and stylish trumpets. Sturdy groove conveys a pristine coolness, an individual dressed up fashionably, dancing or enticing people with an irresistible aura.Lyrics
we're golden on the inside, I can show my heart, Burnt orange like the sunrise, And you could give my lungs a little something just to breathe life, A little something good, and I don't worry ‘bout a next time, Yeah we could feel so good, I wanna, I wanna, I wanna feel so good, I know you, I know you, I know you feel right, We’ll climb a little higher than the ceiling, Fight fire with the fire, ‘cause I can’t wait, It’s just another day, I feel like waking up again, It’s alright, I'll run another mile like I mean it, Fight fire with desire, ‘cause I can’t wait, It’s just another day, I feel like waking up again, I feel like waking up again, we're golden in the sunlight, you lighten up my dark, And I remember every sunrise, Feel a shock, electric current but it feels right, A little something else, you know it’s nothing but a good life, And now it feels so good, I wanna, I wanna, I wanna feel so good, I know you, I know you, I know you feel right, we’ll climb a little higher than the ceiling, Fight fire with the fire, ‘cause I can’t wait, It’s just another day, I feel like waking up again, It’s alright, I'll run another mile like I mean it, Fight fire with desire, ‘cause I can’t wait, It’s just another day, I feel like waking up again, I feel like waking up again.
Sultry, groovy, stimulating. Strong bass leads instrumentation as Sultry, groovy, stimulating. Strong bass leads instrumentation as throwback funk style with sharp slapback guitars plays out. Bass provides a sturdy structure for soulful melody. Sturdy groove conveys a pristine coolness, an individual dressed up fashionably, dancing or enticing people with an irresistible aura. Instrumental version.
Sultry, groovy, stimulating. Strong bass leads instrumentation as Sultry, groovy, stimulating. Strong bass leads instrumentation as throwback funk style with pacy drums. ass provides a sturdy structure for soulful melody. Sturdy groove conveys a pristine coolness, an individual dressed up fashionably, dancing or enticing people with an irresistible aura. Stripped back underscore version.
Romantic, emotive, inspirational. Sultry keys play out alongside Romantic, emotive, inspirational. Sultry keys play out alongside dynamic impassioned vocal performance, a wistful affectionate energy. Beat pushes out with an open-ended energy matched by vocals until more electronic tone takes over at 00:38 with sharp chord impacts lifting into funky carefree vibe. A person embracing the feeling of love and togetherness, moods of quiet love and explosive passion.Lyrics
Whoa, Whoa.
Count your blessings, Happy endings, Lasting for all time.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Whoa, Whoa, Whoa.
Count your blessings, Happy endings, Lasting for all time.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Romantic, emotive, inspirational. Sultry keys play out alongside Romantic, emotive, inspirational. Sultry keys play out alongside dynamic impassioned vocal performance, a wistful affectionate energy. Bass gives an open-ended vibe moving along with kick drum before more electronic tone takes over at 00:38 with sharp chord impacts lifting into funky carefree vibe. A person embracing the feeling of love and togetherness, moods of quiet love and explosive passion. Alternate version.Lyrics
Whoa, Whoa.
Count your blessings, Happy endings, Lasting for all time.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Whoa, Whoa, Whoa.
Count your blessings, Happy endings, Lasting for all time.
One and one makes two, Just me and you, Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Gonna dance all night, Till the morning light.
One and one makes two, Stuck like glue, Feels so right, When you hold me tight.
Romantic, emotive, inspirational. Sultry keys play out with a wistful Romantic, emotive, inspirational. Sultry keys play out with a wistful affectionate energy. Beat pushes out with an open-ended energy until more electronic tone takes over at 00:38 with sharp chord impacts lifting into funky carefree vibe. A person embracing the feeling of love and togetherness, moods of quiet love and explosive passion. Instrumental version.
Romantic, emotive, inspirational. Sultry keys play out with a wistful Romantic, emotive, inspirational. Sultry keys play out with a wistful affectionate energy. Beat pushes out with an open-ended energy until more electronic tone takes over at 00:38 with sharp chord impacts lifting into funky carefree vibe. A person embracing the feeling of love and togetherness, moods of quiet love and explosive passion. Stripped back underscore version.
Stylish, nostalgic, funky. Clap beat and bass gives a cool energy. Stylish, nostalgic, funky. Clap beat and bass gives a cool energy. High pitched male vocals offer a passionate groovy vibe with lyrics about being hip and trendy, taking dangerous streets to a cool bar. Steady instrumentation with guitar stabs and dynamic brass elements are given a theatrical power. A dramatic bar with people dancing in unison, a cool individual strutting through them with an enticing aura.Lyrics
Said you wanna take the back streets, But I don't think you know what that means, ‘Cause You've never really been on the scene, With the crowd getting loud back in 1993.
You’d, Do right, To learn what life was like, ‘Cause it’s going down in history. . Cadillac, baby got back, They don't make ‘em like they used to used to, Well let me tell you ‘bout it all, How it all was before, You should see the way that they move, Across the floor in 1992, Tootsee-Roll, Running Man, Macarena, Cabbage-patch, oh let me show it to you.
New-jack-Groove, Gonna get a hold on you, And it’s gonna make your body move, Cadillac, baby got back, They don't make ‘em like they used to used to, Well let me tell you ‘bout it all, How it all was before.
Cadillac, baby got back, They don't make ‘em like they used to used to, Well let me tell you ‘bout it all, How it all was before.
Stylish, nostalgic, funky. Clap beat and bass gives a cool energy, Stylish, nostalgic, funky. Clap beat and bass gives a cool energy, muted guitar communicates a modesty or subtlety. A hip cat who moves with a slow, calculated style. Organ brings a throwback element to instrumentation as guitar stabs and dynamic brass elements are given a theatrical power. A dramatic bar with people dancing in unison, a cool individual strutting through them with an enticing aura. Instrumental version.
Stylish, nostalgic, funky. Subtle funk beat and bass give a cool Stylish, nostalgic, funky. Subtle funk beat and bass give a cool energy, muted guitar communicates a modesty or subtlety. A hip cat who moves with a slow, calculated style. A dramatic bar with people dancing in unison, a cool individual strutting through them with an enticing aura. Stripped back underscore version.
Impassioned, dreamy, bright. Modern soul style searches out with a Impassioned, dreamy, bright. Modern soul style searches out with a fast pace and phased guitar. Soft female vocals sing lyrics about admitting passionate feelings for someone, paired with twinkly keys and a soft soul instrumentation. Jagged echoing guitar and reverbed keys gives a rough hazy quality. A love scene with a blurred vibe. An admission of love, filled with hope and assuredness.Lyrics
Ouh ouh ouh ouh, I'm addicted to you love, And since the first time, I've got some feelings never told you before, And it’s about time, It’s about time, And it’s about time It’s about time, Ouh ouh ouh ouh, I'm addicted to you love, And since the first time, I've got some feelings never told you before, Always love, Always laughters, It’s about time, It’s about time, And it’s about time, It’s about time, Always love, Always laughters, Always love, Always laughters, Ouh ouh ouh ouh, I'm addicted to you love, And since the first time I've got some feelings never told you before, And it’s about time, It’s about time, And it’s about time, It’s about time.
Impassioned, dreamy, bright. Modern soul style searches out with a Impassioned, dreamy, bright. Modern soul style searches out with a fast pace and phased guitar. Twinkly keys and a soft soul instrumentation. Jagged echoing guitar and reverbed keys gives a rough hazy quality. A love scene with a blurred vibe. An admission of love, filled with hope and assuredness. Instrumental version.
Impassioned, dreamy, bright. Modern soul style searches out with a Impassioned, dreamy, bright. Modern soul style searches out with a fast pace and phased guitar. Twinkly keys and a soft soul instrumentation give a wistful passionate energy. Stripped back underscore version.
Bouncy, soulful, empowered. Blocky electronic bass contrasts with Bouncy, soulful, empowered. Blocky electronic bass contrasts with rough tremolo guitar tone. Impassioned female vocals follow along with steady bass. Instrumentation grows as lyrics about stylishness and self-belief inject a feeling of confidence and glamour. Full instrumentation in the chorus offers a sense of richness and confidence.Lyrics
Woah, Woah.
Me and you, Whatcha gonna do, We got sophisticated cool.
You and me, We got the beat, Sophisticated heat.
Yeah, Sophisticated cool, Whatcha gonna do.
Yeah, Sophisticated cool.
Woah.
Me and you, Whatcha gonna do, We got sophisticated cool.
Bouncy, soulful, empowered. Blocky electronic bass marches out, Bouncy, soulful, empowered. Blocky electronic bass marches out, joined by impassioned female vocals. Instrumentation grows as lyrics about stylishness and self-belief inject a feeling of confidence and glamour. Full instrumentation in the chorus offers a sense of richness and confidence. Alternate version.Lyrics
Woah, Woah.
Me and you, Whatcha gonna do, We got sophisticated cool.
You and me, We got the beat, Sophisticated heat.
Yeah, Sophisticated cool, Whatcha gonna do.
Yeah, Sophisticated cool.
Woah.
Me and you, Whatcha gonna do, We got sophisticated cool.
Bouncy, soulful, empowered. Blocky electronic bass contrasts with Bouncy, soulful, empowered. Blocky electronic bass contrasts with rough tremolo guitar tone. Instrumentation grows with the help of warm pads, rising up with passionate chorus section. Full instrumentation offers a sense of richness, visions of glitter and glamour. Instrumental version.
Bouncy, soulful, empowered. Blocky electronic bass contrasts with Bouncy, soulful, empowered. Blocky electronic bass contrasts with rough tremolo guitar tone. Instrumentation grows with the help of warm pads, rising up with passionate chorus section. Full instrumentation offers a sense of richness, visions of glitter and glamour. Stripped back underscore version.
Spacey, cool, rocky. Sharp slapback guitar leads into a full, indie Spacey, cool, rocky. Sharp slapback guitar leads into a full, indie soul vibe with breathy male vocals with lyrics about an individual trying to romance a romantic partner. Vibe softened by resonant bells and cool pacy rhythm. Spacey keys solo at 00:53 gives a starry, twinkly vibe. Visions of a love story underneath the night sky of a city.Lyrics
Like a metronome, I was trying to find, Trying to find some little peace of mind, When everything is so fine, And that you are just mine, I was trying to walk home, My heart beats like a metronome, And then this song came on my radio, And I just feel I love you so, Ouh what’s not to like, (When you come to me) Ouh what’s not to like, (When you set me free) Ouh what’s not to like, (When you make me feel) What you'll find in me, Is that we're meant to be, I was trying to find, Trying to find some little peace of mind I was trying to get you, Inside of my mind.
Ouh what’s not to like What you'll find in me, Is that we're meant to be, Ouh what’s not to like, (When you come to me) Ouh what’s not to like, (When you set me free) Ouh what’s not to like, (When you make me feel) What you'll find in me, Is that we're meant to be.
Spacey, cool, rocky. Sharp slapback guitar leads into a full, indie Spacey, cool, rocky. Sharp slapback guitar leads into a full, indie soul vibe with strong bass, resonant synths and full old-school drumbeat. Vibe softened by resonant bells and cool pacy rhythm. Spacey keys solo at 00:53 gives a starry, twinkly vibe. Visions of a love story underneath the night sky of a city. Instrumental version.
Spacey, cool, rocky. Sharp slapback guitar leads into a full, indie Spacey, cool, rocky. Sharp slapback guitar leads into a full, indie soul vibe with strong bass. Vibe softened by shaky synth pads and cool pacy rhythm. Evolving synths give a spacey twinkly texture. Stripped back underscore version.
Careless, explosive, passionate. Strong bass and claps push out with Careless, explosive, passionate. Strong bass and claps push out with a feeling of determination in the melody, an individual that means business. Female vocals lamenting a romantic situation, driven by lust and heartbreak. Trumpets communicate a power, an individual that's fed up of being treated badly. An impassioned admission of love.Lyrics
I'm shook, you got me on a hook, I've gotta get a fix, if only just another look, You're fine and I'm just waiting on a sign.
You got me folding up in feelings, Rolled up in love, I'm straight up reeling, Gotta tell you now, how it’s going down, Now You've lit the fuse, nothing left to lose.
One time, I put it on the line, Put my money where my lips are sealed tight, Could you be mine, or am I running out of time.
When we ran solo and felt free, We were just Youngbloods, it’s crazy, I got your number, don't block me, The rest is now all just history.
Careless, explosive, passionate. Strong bass and claps push out with Careless, explosive, passionate. Strong bass and claps push out with a feeling of determination in the melody, an individual that means business. Trumpets communicate a power, an individual that's fed up of being treated badly. An impassioned admission of love. Instrumental version.
Careless, explosive, passionate. Strong bass and claps push out with Careless, explosive, passionate. Strong bass and claps push out with a feeling of determination in the melody, an individual that means business. Determined bassline conjures visions of a lovelorn situation. An individual that's fed up of being treated badly. An impassioned admission of love. Stripped back underscore version.
Modern, effervescent, upbeat. Warm synth chords and soulful melody Modern, effervescent, upbeat. Warm synth chords and soulful melody move into floaty atmosphere with reverbed chords. Visions of clouds and blue skies as female vocals give an emboldened, joyous performance inviting a calm atmosphere. A sense of wellbeing and mindfulness. Soulful tone shift at 00:59 with admissions of love through dynamic vocals.Lyrics
We welcome the day, Step into the world that we're living in, When you come my way, You bring the blue out from the grey, I found my way, Misty as the pathway has been.
Can I tell you something, What has been, Won't always be.
Be be be be be.
Mmmmm I love it when you smile, (ba baba babab) Mmmm I think we could make this last a while. (last a while last a while last a while)
We welcome the day, Step into the world that we're living in, When you come my way, You bring the blue out from the grey.
Modern, effervescent, upbeat. Warm synth chords and soulful melody Modern, effervescent, upbeat. Warm synth chords and soulful melody move into floaty atmosphere with reverbed chords. Visions of clouds and blue skies. A sense of wellbeing and mindfulness. Soulful tone shift at 00:59. Instrumental version.
Celebratory, rustic, joyous. Rough drumming sets up a fun buoyant Celebratory, rustic, joyous. Rough drumming sets up a fun buoyant rhythm in a classic country style. Passionate female vocals with a twang sing a recognisable Christmas tune. Dirty guitar further gives a sense of gritty country fun. Winter in a dustbowl city in America. People being merry and ringing in the festive season.
Celebratory, rustic, joyous. Country guitar sets up a fun strumming Celebratory, rustic, joyous. Country guitar sets up a fun strumming rhythm in a country style. Passionate female vocals with a twang sing a recognisable Christmas tune. Winter in a dustbowl city in America. People being merry and ringing in the festive season. Acoustic version.
Celebratory, rustic, joyous. Gritty distorted lead guitar sets out a Celebratory, rustic, joyous. Gritty distorted lead guitar sets out a recognisable Christmas tune as country instrumentation builds behind in a raucous fun tone. Quirky drumming gives a rustic vibe. Alternate version.
Celebratory, rustic, joyous. Rough drumming sets up a fun buoyant Celebratory, rustic, joyous. Rough drumming sets up a fun buoyant rhythm in a classic country style. Dirty guitar further gives a sense of gritty country fun. Winter in a dustbowl city in America. People being merry and ringing in the festive season. Instrumental version.
Impassioned, religious, bright. Guitar strumming and bottleneck blues Impassioned, religious, bright. Guitar strumming and bottleneck blues lead guitar give a country energy, supported by dynamic female vocals with a country passion. Lyrics about the joy around Jesus's birth. A sense of celebration around the coming of the lord. Harmonising vocals give a communal vibe. Direct drumbeat frilled with guitar gives a rustic style.
Impassioned, religious, bright. Guitar strumming gives a emotive Impassioned, religious, bright. Guitar strumming gives a emotive country vibe, supported by dynamic female vocals with a country passion. Lyrics about the joy around Jesus's birth. Harmonising vocals give a communal vibe. Acoustic version.
Impassioned, religious, bright. Muddy tremolo guitar plays out a Impassioned, religious, bright. Muddy tremolo guitar plays out a recognisable joyous tune. Guitar strumming gives a emotive country vibe, a tambourine rhythm offering visions of snow falling gently before country drumbeat arrives. Alternate version.
Impassioned, religious, bright. Guitar strumming and bottleneck blues Impassioned, religious, bright. Guitar strumming and bottleneck blues lead guitar give a country energy. A sense of celebration around the coming of the lord. Harmonising vocals give a communal vibe. Direct drumbeat frilled with guitar gives a rustic style. Instrumental version.
