Big, entertaining, powerful. Big sub bass rumbles alongside heavy Big, entertaining, powerful. Big sub bass rumbles alongside heavy percussion and beat, instantly conveying a feeling of deep power and lively energy, with ad libs imbuing a party feeling. Upbeat chord sequence moves alongside heavy-handed percussion. Breathing FX illustrates an atmosphere of effort, people working physically hard, in the gym or on the sports field. Visions of crowds of people cheering sports stars on to win.
Big, entertaining, powerful. Big sub bass rumbles alongside heavy Big, entertaining, powerful. Big sub bass rumbles alongside heavy percussion and beat, instantly conveying a feeling of deep power and lively energy. Upbeat chord sequence moves alongside heavy-handed percussion. Breathing FX illustrates an atmosphere of effort, people working physically hard, in the gym or on the sports field. Visions of crowds of people cheering sports stars on to win. Instrumental version.
Big, entertaining, powerful. Big sub bass rumbles alongside heavy Big, entertaining, powerful. Big sub bass rumbles alongside heavy percussion and beat, instantly conveying a feeling of deep power and lively energy. Upbeat chord sequence moves alongside heavy-handed percussion. People working physically hard, in the gym or on the sports field. Visions of crowds of people cheering sports stars on to win. Stripped back underscore version.
Energetic, pacy, fiery. Sharp synth sequence sets out a modern Energetic, pacy, fiery. Sharp synth sequence sets out a modern passionate energy. Male vocals sing about an unstoppable passion and energy emanating from deep inside. Meaningful indie guitar notes peel off alongside passionate vocals. Expansive synth chords deliver an expansive feeling.歌词
This Fire Inside Me
This fire inside me This fire inside me You can’t burn out, this fire inside me You can’t burn out, this fire inside me You think this is my first war but you will see You can’t burn out, this fire inside me This fire inside me This fire inside me You can’t burn out, this fire inside me You can’t burn out, this fire inside me You think this is my first war but you will see You can’t burn out, this fire inside me
Energetic, pacy, fiery. Sharp synth sequence sets out a modern Energetic, pacy, fiery. Sharp synth sequence sets out a modern passionate energy. Meaningful indie guitar notes fill atmosphere with passion and vitality. Expansive synth chords deliver an expansive feeling. Instrumental version.
Energetic, pacy, fiery. Sharp synth sequence sets out a modern Energetic, pacy, fiery. Sharp synth sequence sets out a modern passionate energy. Meaningful indie guitar notes fill atmosphere with passion and vitality. Expansive synth chords deliver an expansive feeling. Stripped back underscore version.
Fun, joyous, happy. Jazz cymbal rhythm gives rise to sharp brass Fun, joyous, happy. Jazz cymbal rhythm gives rise to sharp brass melody. Slick instrumentation is met with dulcet crooning vocals singing lyrics about being happy at christmas. Brisk tempo gives a sense of a cool party vibe. Dynamic style is amplified by syncopated percussive hits, communicating a sense of buoyancy and elation. Brass instruments slowly build into a positive refrain. Visions of a band watching each other to match timings intricately and with poise. Vocal version.歌词
Deck the halls with boughs of holly, Fa la la la la, la la la la, 'Tis the season to be jolly, Fa la la la la, la la la la, Don we now our gay apparel, Fa la la, la la la, la la la,
Troll the ancient Yuletide carol, Fa la la la la, la la la la.
See the blazing yule before us, Fa la la la la, la la la la, Strike the harp and join the chorus, Fa la la la la, la la la la, Follow me in merry measure, Fa la la, la la la, la la la, While I tell of Yuletide treasure.
Fast away, the old year passes, Fa la la la la, la la la la, Hail the new, ye lads and lasses, Fa la la la la, la la la la, Sing we joyous all together, Fa la la, la la la, la la la, Heedless of the wind and weather, Fa la la la la, la la la la.
Deck the halls with boughs of holly, Fa la la la la la, la la, Deck the halls with boughs of holly, Fa la la la la, la la, Deck the halls with boughs of holly, Fa la la la la la, la la, Deck the halls with boughs of holly, Fa la la la la la, ba da da.
Fun, joyous, happy. Jazz cymbal rhythm gives rise to sharp brass Fun, joyous, happy. Jazz cymbal rhythm gives rise to sharp brass melody. Slick instrumentation is met with clean piano playing out jovial melody with a catchy pace. Dynamic style is amplified by syncopated percussive hits, communicating a sense of buoyancy and elation. Brass instruments slowly build into a positive refrain. Visions of a band watching each other to match timings intricately and with poise.
Cold, passionate, pacy. Flashy ride cymbal percussion gives way to Cold, passionate, pacy. Flashy ride cymbal percussion gives way to inquisitive christmas melody that rises in intensity. Male and female vocals quickly trade lyrics about christmastime, joy and fun for everyone. Pacy style gifts a jazzy coolness. Brass instruments build at 00:48 into more impassioned vocal section. Vocal version.歌词
Hark how the bells, Sweet silver bells, All seem to say, Throw cares away.
Christmas is here, Bringing good cheer, To young and old, Meek and the bold.
Ding dong, That is the song, With joyful ring, All carolling.
One seems to hear, Words of good cheer, From everywhere, Filling the air.
Oh, how they pound, Raising their sound, O'er hill and dale, Telling their tale.
Gaily they ring, While people sing, Songs of good cheer, Christmas is here.
Cold, passionate, pacy. Flashy ride cymbal percussion gives way to Cold, passionate, pacy. Flashy ride cymbal percussion gives way to inquisitive christmas melody that rises in intensity. Guitar and piano trade melodies in a fast-paced back and forth. Sharp instrumentation conjures visions of a slick jazz band playing an impassioned seasonal song.
Warm, bustling, celebratory. Cosy instrumentation plays through a Warm, bustling, celebratory. Cosy instrumentation plays through a slowly rising melody before settling into a jazzy refrain, slow and laid back. Soft double bass gives cushion to crooning male vocals about the story of Jesus and his mother. Heartwarming style matching with celebratory description. Brass instruments embrace in a passionate style, communicating togetherness. Saxophone solo at 01:16 provides a chilled atmosphere, with jazzy improvisational performance. Vocal version.歌词
Once in royal David's city, Stood a lowly cattle shed, There a mother laid her baby, In a manger for His bed, Mary was that mother mild, Jesus Christ her little child.
He came down to earth from heaven, Who is God and Lord of all, And His shelter was a stable, And His cradle was a stall, With the poor, oppressed and wholly, Lived on earth our Savior holy.
And our eyes, At last shall see Him, Through His own redeeming love, For that child, so dear and gentle, Is our Lord in heaven above, And He leads
His children along, To the place where He is gone, And He leads His children along, To the place where He is gone.
Warm, bustling, celebratory. Cosy instrumentation plays through a Warm, bustling, celebratory. Cosy instrumentation plays through a slowly rising melody before settling into a jazzy refrain, slow and laid back. Soft double bass joins with clean piano melody, with jazz percussion conjuring images of people making their way through a snowy city on christmas eve. Brass instruments embrace in a passionate style, communicating togetherness. Saxophone solo at 01:16 provides a chilled atmosphere, with jazzy improvisational performance.
Heroic, upbeat, impassioned. Dramatic riser moves into section Heroic, upbeat, impassioned. Dramatic riser moves into section utilising organic middle eastern instrumentation with charged electronic percussion. Emotive vocal trills and strings, large electronic beat moves alongside triumphant melody with energetic vocal shouts. Authentic Arabian instruments provide a sense of place and upheaval. Large trumpets provide bass melody that joins with sturdy beat.
Heroic, upbeat, impassioned. Dramatic riser moves into section Heroic, upbeat, impassioned. Dramatic riser moves into section utilising organic middle eastern instrumentation with charged electronic percussion. Trilling Arabian instruments provide a sense of place and upheaval. Large trumpets provide bass melody that joins with sturdy beat. Instrumental version.
Fast, euphoric, epic. Authentic middle eastern percussion leads into Fast, euphoric, epic. Authentic middle eastern percussion leads into pacy refrain that builds into trappy drumbeat with energetic shouts and impassioned carnatic singing. Hyperactive pace communicates a feeling of confidence and strength. An individual who is not afraid of anything, walking proudly and triumphantly around. Impassioned vocal shouts bolster a feeling of companionship and togetherness.
Fast, euphoric, epic. Authentic middle eastern percussion leads into Fast, euphoric, epic. Authentic middle eastern percussion leads into pacy refrain that builds into trappy drumbeat. Hyperactive pace communicates a feeling of confidence and strength. An individual who is not afraid of anything, walking proudly and triumphantly around. Instrumental version.
Fast, euphoric, epic. Expansive middle eastern instrumentation meets Fast, euphoric, epic. Expansive middle eastern instrumentation meets with impassioned vocal trills. Heavy electronic beat and hyperactive pace communicate a feeling of confidence. An individual who is not afraid of anything, walking proudly and triumphantly around. Stripped back underscore version.
Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, sentimental, lazy & sophisticated. Male singer in crooner style, orchestra, string ensemble, brass & rhythm. Lead muted trumpet @ 1'42.歌词
I JUST DON’T CARE
Music by Sebastijan Duh Lyrics by John Greaves
THERE IS SOMETHING IN HIS EYES THAT I SHOULD RECOGNIZE BE SMART BE COOL BEWARE
EVEN THO I REALIZE IT’S PROBABLY UNWISE I JUST DON’T CARE
MY FEET ARE OFF THE GROUND MY POOR HEAD IS SPINNING AROUND
PLEASE JUST LET ME FANTASIZE HE’S NOT LIKE OTHER GUYS IT’S REAL LOVE I HAVE FOUND
LOOKS LIKE THE WRITING’S ON THE WALL NO USE IN FIGHTING, NONE AT ALL WHO COULD HAVE THOUGHT THAT I WOULD FALL SO HELPLESSLY ?
IF YOU’RE THINKING I AM DUMB TO FALL UNDER HIS THUMB DUMB MAYBE BUT I’M HAPPY
Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, lazy & sophisticated. Female singer, orchestra with string ensemble, brass & brushes. Muted trumpet @ 1'42.歌词
I JUST DON’T CARE
Music by Sebastijan Duh
Lyrics by John Greaves
THERE IS SOMETHING IN HIS EYES
THAT I SHOULD RECOGNIZE
BE SMART BE COOL BEWARE
EVEN THO I REALIZE
IT’S PROBABLY UNWISE
I JUST DON’T CARE
MY FEET ARE OFF THE GROUND
MY POOR HEAD IS SPINNING AROUND
PLEASE JUST LET ME FANTASIZE
HE’S NOT LIKE OTHER GUYS
IT’S REAL LOVE I HAVE FOUND
LOOKS LIKE THE WRITING’S ON THE WALL
NO USE IN FIGHTING, NONE AT ALL
WHO COULD HAVE THOUGHT THAT I WOULD FALL
SO HELPLESSLY ?
IF YOU’RE THINKING I AM DUMB
TO FALL UNDER HIS THUMB
DUMB MAYBE BUT I’M HAPPY
Show opening. Spoken guttural & ghostly male voice. Intriguing quirky Show opening. Spoken guttural & ghostly male voice. Intriguing quirky & jazzy. Orchestra with brass ensemble, Theremin, piano, guitar, chorus, claps & rhythm with tom tom rolls. In the spirit of 90s musicals.歌词
MONSTERS
Music by Julien vega
Lyrics by John Greaves & Julien Vega
Ladies and gentlemen
Now is the time
Dusk has fallen
And long will be the night
Are you ready? Behold this most
Awful terrifying sight
Dear guests Please welcome...
The monsters!
Monsters
We are monsters
Monsters
Wild monsters
See these ugly faces
The power in their jaws
There’s evil their gazes
And no pity in their claws
Come closer don’t be shy
Chains about their necks do lie
Just watch them do their stuff
Scream when you’ve had enough
Nasty monsters, ugly monsters, freaky monsters, mean monsters!!!
Show opening. Spoken male voice. Joyful, quirky & jazzy. Music hall Show opening. Spoken male voice. Joyful, quirky & jazzy. Music hall orchestra, brass ensemble, Theremin, piano, guitar, choir, claps & rhythm with tom tom rolls. In the spirit of 90s musicals.歌词
MONSTERS
Music by Julien vega
Lyrics by John Greaves & Julien Vega
Ladies and gentlemen
Now is the time
Dusk has fallen
And long will be the night
Are you ready? Behold this most
Awful terrifying sight
Dear guests Please welcome...
The monsters!
Monsters
We are monsters
Monsters
Wild monsters
See these ugly faces
The power in their jaws
There’s evil their gazes
And no pity in their claws
Come closer don’t be shy
Chains about their necks do lie
Just watch them do their stuff
Scream when you’ve had enough
Nasty monsters, ugly monsters, freaky monsters, mean monsters!!!
Retro love pop song sung in French. Vintage. Swaying sophisticated & Retro love pop song sung in French. Vintage. Swaying sophisticated & charming. Male singer, female vocals & rhythm section, Organ & analogue synth lead. Suggested for romance & cliche.歌词
Tu t'enfuies
Je regarde défiler ton ombre
Et la nuit tu penses à chaque seconde
Perdue dans ce monde
Il y aura toujours quelqu'un pour te voir
Et tu ries
Comme si c'était la première fois
C'est la vie qui te souffle toujours
Une chanson d'amour
Ça te fait oublier que tu es seul
Wholesome, emotive, touching. Bittersweet acoustic guitar sequence Wholesome, emotive, touching. Bittersweet acoustic guitar sequence sets out a feeling of optimism tinged with emotion, someone looking toward their future after tragedy or heartbreak. Accompanying euphoria and guitar builds a sense of excitement and vibrancy. Joined by soothing male vocals and gentle piano, a fragile sense of happiness. Build into percussion and claps further asserts an atmosphere of upbeat brightness.
Wholesome, emotive, touching. Bittersweet acoustic guitar sequence Wholesome, emotive, touching. Bittersweet acoustic guitar sequence sets out a feeling of optimism tinged with emotion, someone looking toward their future after tragedy or heartbreak. Accompanying euphoria and guitar builds a sense of excitement and vibrancy. Build into percussion and claps further asserts an atmosphere of upbeat brightness. Instrumental version.
Wholesome, emotive, touching. Bittersweet acoustic guitar sequence Wholesome, emotive, touching. Bittersweet acoustic guitar sequence sets out a feeling of optimism tinged with emotion, someone looking toward their future after tragedy or heartbreak. Accompanying euphoria and guitar builds a sense of excitement and vibrancy. Electric guitar chords further assert an atmosphere of upbeat brightness. Stripped back underscore version.
Poppy, soulful, understanding. Acoustic guitar strums out positive Poppy, soulful, understanding. Acoustic guitar strums out positive catchy sequence, joined by pained male vocal singing in soothing high register. Deep kick moves things forward with an impassioned energy. Accompanying guitars peel off of bass and main guitar, reminiscent of a caring individual or family. Rustic guitar begins at 01:06, illustrating rolling hills and countryside with a feeling of rejuvenation and optimism. Building to 02:04 as calm clean drumbeat starts, a shuffling fun indie sensibility.
Poppy, soulful, understanding. Acoustic guitar strums out positive Poppy, soulful, understanding. Acoustic guitar strums out positive catchy sequence. Deep kick moves things forward with an impassioned energy. Accompanying guitars peel off of bass and main guitar, reminiscent of a caring individual or family. Rustic guitar begins at 01:06, illustrating rolling hills and countryside with a feeling of rejuvenation and optimism. Building to 02:04 as calm clean drumbeat starts, a shuffling fun indie sensibility. Instrumental version.
Poppy, soulful, understanding. Acoustic guitar strums out positive Poppy, soulful, understanding. Acoustic guitar strums out positive catchy sequence. Accompanying guitars peel off of main guitar, reminiscent of a caring individual or family. Rustic guitar begins at 01:06, illustrating rolling hills and countryside with a feeling of rejuvenation and optimism. Building to 02:04 as calm clean drumbeat starts, a shuffling fun indie sensibility. Stripped back underscore version.
Hopeful, redemptive, uplifting. Organic strings bloom with Hopeful, redemptive, uplifting. Organic strings bloom with arpeggiations, leading to serene section with pads and soft male vocals about an important realisation, living with a bigger purpose. Pulsing bass drives instrumentation forward with a sense of determination into upbeat EDM-style drums at 01:00. Heavy bass trades blows with whirring sidechained synths. Hopeful lyrics about seeing darkness, looking for clarity and someone to share it with. Cathartic breakthrough at 02:54 with bright lyrics and celebratory melodies.歌词
I am finally in a place where I can breathe, I was living out of insecurities,
Cannot waste more precious time or energy, There’s a bigger man that lies inside of me, Yeah.
After sitting in the darkness quietly,
I’ve been looking for a chance to make some peace, I was seeking for your guidance, But I hope that now you see, There’s a bigger man I know that I should be (there’s a bigger man I know).
Now don’t waste your time, Gone through all these miles, To a place where there is no more looking back, You’ve made all this way, To this very day, Now it’s time for you to show what you’re about.
I am finally in the place where I can breathe again, I was living in the box that I was screaming in (yeah), Is there anybody out there who can break my misery?
Is there anybody out there who can feel the mystery?
In the bottom of the ocean really low, I’ve seen darkness that I can not really show,
But I’ve learned the biggest lesson,
And I hope that now you see, There’s a bigger man that lies inside of me.
Now don’t waste your time,
Gone through all these miles, To a place where there is no more looking back,
You’ve made all this way, To this very day, Now it’s time for you to show what you’re… Time for you to show, Now don’t waste your time, Gone through all these miles, To a place where there is no more looking back,
You’ve made all this way, To this very day, Now it’s time for you to show what you’re about.
Hopeful, redemptive, uplifting. Organic strings bloom with Hopeful, redemptive, uplifting. Organic strings bloom with arpeggiations, leading to serene section with pads. Pulsing bass sounds drive instrumentation forward with a sense of determination into upbeat EDM-style drums at 01:00. Heavy bass trades blows with whirring sidechained synths. Cathartic breakthrough at 02:54 with bright melodies. Instrumental version.
Hopeful, redemptive, uplifting. Organic strings bloom with Hopeful, redemptive, uplifting. Organic strings bloom with arpeggiations, leading to serene section with pads. Slow building instrumentation into upbeat EDM-style drums at 01:00. Resonant synths and ornate plucked string sounds find their way through heavy bass. Stripped back underscore version.
Hopeful, redemptive, uplifting. Organic strings bloom followed by Hopeful, redemptive, uplifting. Organic strings bloom followed by muffled dramatic piano notes. Pulsing bass sounds drive instrumentation forward with a sense of determination into triumphant drums. Resonant synth plays through loud celebratory instrumentation with proud melody. Stripped back underscore version.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space. Male vocals about feeling assured, looking for light to block out the darkness, having an epiphany. Break into heavy rap instrumentation with vocals echoing out from somewhere high and important. Trusting in oneself, doing what you believe is right. Clattering cymbals and percussive FX communicating a sense of chaos, contrasting with determined vocal delivery.歌词
Look around, Realise there’s no better place, See the light in your eyes,
Ain’t no better space, I can glow, I can shine,
Ain’t no better days, Moving boulders out the dark,
So I can See the rays,
All the time try to find, How you had it wrong,
Can you cut yourself some slack?
Cause it's been too long, Turn the Tv channel off,
You don’t need it on,
Take it back to where it’s at,
For you to move along.
Yeah, Up on the the top
Level unlocked,
Why you moving stones?
We keep it loose, We keep it hot,
Making you lose control,
You care bout me? Don’t care a lot,
That’s why I got the flow, Taking it minute by minute, I can’t wait to hit it, I’m running the show, And I know that you notice, I’m on a mission, My weapon is loaded with ammunition,
my mental is right for this very moment,
Don’t need no approval or recognition,
My decisions are based on the feeling of trusting my vision,
I’m charging through all the glass in the ceiling,
I’m showing you facts,
To be exact, I’m here to act,
I’m here to win it!
Look around, Realise there’s no better place, See the light in your eyes, Ain’t no better space, I can glow, I can shine, Ain’t no better days, Moving boulders out the dark, So I can See the rays, All the time try to find, How you had it wrong, Can you cut yourself some slack? Cause it's been too long, Turn the Tv channel off, You don’t need it on, Take it back to where it’s at, For you to move along.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space, visions of a superhero floating in the distance, trusting in themselves. Instrumentation builds alongside ticking percussion. Break into heavy electronic instrumentation. A sense of self assurance, trusting in oneself and doing what you feel is right. Clattering cymbals and percussive FX communicating a sense of chaos, contrasting with triumphant melodies. Instrumental version.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space, visions of a superhero floating in the distance, trusting in themselves. Instrumentation builds alongside ticking percussion. Break into heavy electronic instrumentation. A sense of self assurance, trusting in oneself and doing what you feel is right. Clattering cymbals and percussive FX communicating a sense of chaos, contrasting with triumphant melodies. Stripped back underscore version.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space, launch into sudden serious section with heavy percussion hammering out a sense of intensity and drama. Large riser into climax at 00:55 with war drums and cataclysmic melodies. Stripped back underscore version.
Searching, intense, pacy. Meaningful strings fade in followed by Searching, intense, pacy. Meaningful strings fade in followed by atmospheric percussive FX. Choirs and echoing vocals assert a sense of weight, a climactic situation where important things are on the line. Male voice raps lyrics about trusting in your own vision, a sense of nobility achieved through self-assurance. Confidence meshed with a feeling of importance in gliding melodic bridge with choral voices. Large, sudden breakdown at 01:48 as vocals explode over loud percussion. Lyrics about redemption and determination.歌词
I’m paving ways, I’m paving ways, I’m paving ways, I’m paving ways. 20/20 always acting on my vision,
Party tricks that make a sceptic superstitious,
Good samaritan that follows no religions, Make decisions with my gut, 'Cause that’s the realest, Got the instincts of a killer and a hero, Shoot until I reload, Better be the one above, Then living down and below, Rather die in my own mission, Then in someone’s plan, Rather crash in flight, At least my gravity is zero.
Fade away, fade away, In my weaknesses lie all my greatness, Pave a way for the days, I look up when the sky is so grey, And I say, Pave a way for the myth,
Make a choice when it’s time to be legend,
Sail away to the ocean of choices, It’s now or it’s never.
Take a minute to imagine, What it’s like to make it happen, What it’s like to be the one to reach the top of all these mountains, Need to make the sacrifices, Abandon ship to reach the island,
It’s always better when the big explosions come in from silence.
Being the man that I gotta be, Taking the enemy outta me, Breaking the pieces that parted me,
Because I’m making humanity follow me, Into the void that I kept in the silence, Putting a stop to the tyrants, Thinking of people as sheep,
But you tying a rope on a land full of lions, Never again be in the jade, Was in the way, Now on my way, Was in a whirl, Now on a wave,
Used to be chewed, Now got a key to the train,
Now I’ll be keeping my gains, Letting it out, Outta my veins, Ready to go,
Ready to be in the mode, Ready when you are, Ready to roll, yea!
Take a minute to imagine, What it’s to make it happen, What it’s like to be the one to reach the top of all these mountains, Need to make the sacrifices, Abandon ship to reach the island, It’s always better when the big explosions come in from silence.
Fade away, fade away, In my weaknesses lie all my greatness, Pave a way for the days, I look up when the sky is so gray, And I say; Pave a way for the myth, Make a choice when it’s time to be legend,
Searching, intense, pacy. Meaningful strings fade in followed by Searching, intense, pacy. Meaningful strings fade in followed by atmospheric percussive FX. Choir asserts a sense of weight; a climactic situation where important things are on the line. Large hip-hop drumbeat joined by chirping synths instil a slickness in the midst of weighty melodies. Large, sudden breakdown at 01:48 with explosion of percussion. Instrumental version.
Searching, intense, pacy. Meaningful strings fade in followed by Searching, intense, pacy. Meaningful strings fade in followed by atmospheric percussive FX. Strings assert a sense of weight; a climactic situation where important things are on the line. Large hip-hop drumbeat joined by chirping synths instil a slickness in the midst of weighty melodies. Large, sudden breakdown at 01:48 with explosion of percussion. Stripped back underscore version.
Searching, intense, trippy. Riser launches into euphoric melodies and Searching, intense, trippy. Riser launches into euphoric melodies and deep war drums. Percussion builds a sense of progression, a society of people moving forward proudly. Fizzling synths and rising melodies give a sense of vitality. Stripped back underscore version.
Funky, bouncy, boastful. Brass instruments and heavy percussion Funky, bouncy, boastful. Brass instruments and heavy percussion assert a buoyant atmosphere, leaning into jazzy notes and disco sounds. Male rap vocals about a group of individuals working hard in order to party hard. Provocative lyrics and fun beat conjure images of a room full of friends dancing, convincing others to dance in the middle of a circle, fun party vibe with attitude. Male vocal version.
Funky, bouncy, boastful. Brass instruments and heavy percussion Funky, bouncy, boastful. Brass instruments and heavy percussion assert a buoyant atmosphere, leaning into jazzy notes and disco sounds. Female rap vocals about a group of girls working hard in order to party hard. Provocative lyrics and fun beat conjure images of a room full of friends dancing, convincing others to dance in the middle of a circle, fun party vibe with attitude.歌词
Ha Get up
Yeah
If you want it come and get,
if you want it come and get,
If you want it come and get,
work it, shake it, make that thing go,
Oh If you want it come and get, if you want it come and get
If you want it come and get, work it, shake it, make that thing go.
Ayo! What it do?
I gotta whole load of this heat comin' through,
Riding in deep with my so solid crew,
Moving to the beat cuz that’s how we do,
Yuh! Level up while its hot,
Gonna make it rain all day on my block,
Put in all the work 9-5 no stop,
Now we do the dance to the beat make it drop.
Show me how you move, yea work it,
Get you in the mood, bezerkin,
Now we comin' through, with the heat while its hot,
Yo what you workin' with, show me what you got!
If you want it come and get, if you want it come and get,
If you want it come and get, work it, shake it, make that thing go.
Gonna make it rain all day, make it rain all day, make it rain all day on my block,
Gonna make it rain all day, make it rain all day, make it rain all day on my block,
Gonna make it rain all day, make it rain all day, make it rain all day on my block,
Gonna make it rain all day, make it rain all day, make it rain all day on my block.
Maniacal, terrifying, evil. Discordant string stabs create an Maniacal, terrifying, evil. Discordant string stabs create an uncertain and disjointed atmosphere, reminiscent of a chase scene through a dark and strange landscape. Breathy vocal effects promote feelings of panic. Out of tune string trills drag instrumentation into a more intense sequence, with unpredictable notes and a growing sense of panic.
Maniacal, terrifying, evil. Discordant string stabs create an Maniacal, terrifying, evil. Discordant string stabs create an uncertain and disjointed atmosphere, reminiscent of a chase scene through a dark and strange landscape. Out of tune string trills drag instrumentation into a more intense sequence, with unpredictable notes and a growing sense of panic. Stripped back underscore version.
Soft, intimate & deep indie pop song with british male singer & synth Soft, intimate & deep indie pop song with british male singer & synth pads. Emotional & bright. Drum @ 1'49 until build-up. Suggested for indie movie, teens tv shows & ads.歌词
Feeling the wild winds are waking, waking And all my best intentions thrown
I’m drifting closer to the edge
The silent cliff top suspense
Feeling the wild winds are waking, waking
I’m unsettled Unsettled
I can’t shake it off I’m unsettled Unsettled
I can’t shake it off
Pick up my ball of thoughts and throw it, throw it I’ll let the wind direct it’s path
Could hear that pin drop to the floor
And seconds later exploding
Pick up my ball of thoughts and throw it, throw it
I can see that winter is up ahead
And if I don’t get my head together
I’ll be blown away
I will be logged out, adrift, a castaway And if I don’t anchor down,
I will pass away
I can’t shake it off I can’t shake it off
