Sentimental, punchy & heartbroken reggaeton-pop sung in Spanish. Go Sentimental, punchy & heartbroken reggaeton-pop sung in Spanish. Go away from here. Male singer duo, autotune, male backing vocals, electronic percussion, sampling & synth.歌词
ES:
Creí en ti
No supiste apreciar todo eso que yo te di
Por mujeres como tú es que somos perros y no es de morir
No te deseo mal pero la paga vas a sufrir
Y no será por mi
Así que vete
Vete vete lejos de aquí
No quiero verte
No regreses a mi
Por favor vete
Vete vete lejos de aquí
Tu decidiste perderme
Ten dignidad vete de aquí
Ahora sí me quieres llamar llamar
Ahora sí me quieres besar
Ahora sí me quieres buscar buscar
Pero yo te digo no hay na’ no hay na’
Ahora sí me quieres llamar llamar
Ahora sí me quieres besar
Ahora sí me quieres buscar buscar
Pero yo te digo no hay na’ no hay na’
Vete vete ya no te quiero ver
Vete vete te deje de querer
Vete vete ya no te quiero ver
Vete vete
Vete vete
Te alejaste de mi
No se por cuánto tiempo
Ahora vuelves a mi
Ya no hay amor lo siento
Parece un chiste que ahora digas que me amas
Cuando no puedes sostenerme la mirada
Vete
Vete vete lejos de aquí
No quiero verte
No regreses a mi
Por favor vete
Vete vete lejos de aquí
Tu decidiste perderme
Ten dignidad vete de aquí
Ahora sí me quieres llamar llamar
Ahora sí me quieres besar
Ahora sí me quieres buscar buscar
Pero yo te digo no hay na’ no hay na’
Ahora sí me quieres llamar llamar
Ahora sí me quieres besar
Ahora sí me quieres buscar buscar
Pero yo te digo no hay na’ no hay na’
Así que vete
Vete vete lejos de aquí
No quiero verte
No regreses a mi
Por favor vete
Vete vete lejos de aquí
Tu decidiste perderme
Ten dignidad vete de aquí
Vete vete ya no te quiero ver
Vete vete te deje de querer
Vete vete ya no te quiero ver
Vete vete
Vete vete
Ahora sí me quieres llamar llamar
Ahora sí me quieres besar
Ahora sí me quieres buscar buscar
Pero yo te digo no hay na’ no hay na’
EN:
I believed in you
You didn't know how to appreciate all that I gave you
Because of women like you we are dogs and it's not to die for
I don't wish you harm but you're going to pay for it
And it won't be for me
So go away
Go away, go far away from here
I don't want to see you
Don't come back to me
Please go away
Go away, go far away from here
You decided to lose me
Have dignity, go away from here
Now you want to call me, call me
Now you want to kiss me
Now you want to look for me, look for me
But I'm telling you there's nothing, there's nothing
Now you want to call me, call me
Now you want to kiss me
Now you want to look for me, look for me
But I'm telling you there's nothing, there's nothing
Go away, go away I don't want to see you
Go away, go away I stopped loving you
Go away, go away I don't want to see you
Go away, go away
Go away, go away
You distanced yourself from me
I don't know for how long
Now you're coming back to me
There's no love anymore I'm sorry
It seems like a joke that you say you love me now
When you can't hold your gaze on me
Go away
Go away, go far away from here
I don't want to see you
Don't come back to me
Please go away
Go away, go far away from here
You decided to lose me
Have dignity, go away from here
Now you want to call me, call me
Now you want to kiss me
Now you want to look for me, look for me
But I'm telling you there's nothing, there's nothing
Now you want to call me, call me
Now you want to kiss me
Now you want to look for me, look for me
But I'm telling you there's nothing, there's nothing
So go away
Go away, go far away from here
I don't want to see you
Don't come back to me
Please go away
Go away, go far away from here
You decided to lose me
Have dignity, go away from here
Go away, go away I don't want to see you
Go away, go away I stopped loving you
Go away, go away I don't want to see you
Go away, go away
Go away, go away
Now you want to call me, call me
Now you want to kiss me
Now you want to look for me, look for me
But I'm telling you there's nothing, there's nothing
Sensual, smooth & sensitive reggaeton sung in Spanish. She tells me Sensual, smooth & sensitive reggaeton sung in Spanish. She tells me he doesn't love her anymore. Male singer, autotune, male backing vocals, female vocal sampling, piano sampling, side-chain FX, electronic percussion & synth.歌词
ES:
Cuando te vi sabía que tenías algo especial
Tus ojos de color mar
Quería verte mas
Cuando te vi yo no sabía por donde empezar
Descubría lo que era amar
Todo de ti lo tuve lo sé y aún más
Ahora ya no hay marcha atrás
De ti yo me liberé
Que como tú no hay diez
Me salvé de tu adicción
Y te lo digo otra vez
No te hago al revés
Te quiero y te quiero girl
Y ya sabes lo que pasó
Y tu me gustaste un montón
Me hice el tonto cuando te vi
Porque tu me gustaste un montón
Me cuenta que no la quiere (mas)
Ya no le besa la boca, boca, boca
Me cuenta que ya no viene (mas)
Me dice que no la toca, toca, toca
Algún día ya no volverá mas
Y yo la esperaré con una botella
Le diré que es la mas bella
Mirando las estrellas
Yo estoy aquí para darte
Consejos y más y más
Yo estoy aquí para amarte
Hasta el infinito y más
Yo todo quiero regalarte
Tenemos los recuerdos
Y el presente y lo que viene
Pienso en ti cuando pasa la canción
Yo no tengo razones de olvidarte
Nos dijimos adiós en la cama
Fuiste toda una dama
Ven vuelve aquí un fin de semana
Regresa amor
Y ya sabes lo que pasó
Y tu me gustaste un montón
Me hice el tonto cuando te vi
Porque tu me gustaste un montón
Me cuenta que no la quiere (mas)
Ya no le besa la boca, boca, boca
Me cuenta que ya no viene (mas)
Me dice que no la toca, toca, toca
Algún día ya no volverá mas
Y yo la esperaré con una botella
Le diré que es la mas bella
Mirando las estrellas
(No, no, no, nooo)
EN:
When I saw you I knew there was something special about you
Your sea-colored eyes
I wanted to see you more
When I saw you I didn't know where to start
I was discovering what it was to love
Everything about you I had, I know it and even more
Now there's no turning back
From you I freed myself
Cause there's not ten like you
I saved myself from your addiction
And I tell you again
I don't make it to you the wrong way
I love you and I love you girl
And you know what happened
And I liked you a lot
I played dumb when I saw you
Cause I liked you a lot
She tells me that he doesn't love her (anymore)
He don't kiss her mouth, mouth, mouth
She tells me that he doesn't come (anymore)
She tells me that he doesn't touch her, touch her, touch her
Someday she won't come back no more
And I'll wait for her with a bottle
I'll tell her she's the most beautiful one
Looking at the stars
I'm here to give you
Advice and more and more
I'm here to love you
To infinity and more
I want to give you everything
We have the memories
And the present and what's to come
I think of you when the song plays
I have no reason to forget you
We said goodbye in bed
You were such a lady
Come back here one weekend
Come back love
And you know what happened
And I liked you a lot
I played dumb when I saw you
Cause I liked you a lot
She tells me that he doesn't love her (anymore)
He don't kiss her mouth, mouth, mouth
She tells me that he doesn't come (anymore)
She tells me that he doesn't touch her, touch her, touch her
Someday she won't come back no more
And I'll wait for her with a bottle
I'll tell her she's the most beautiful one
Looking at the stars
Pacy, heavy, spirited. Quick hand drums set out a swift-moving Pacy, heavy, spirited. Quick hand drums set out a swift-moving atmosphere, an individual running very fast and having fun. Climax at 00:24 with sports whistle, into heavy African-inspired drumbeat. Trappy sound with sharp vocal samples and anticipatory percussion.
Pacy, heavy, spirited. Quick hand drums set out a swift-moving Pacy, heavy, spirited. Quick hand drums set out a swift-moving atmosphere, an individual running very fast and having fun. Intricate percussive layers provide an African-inspired beat with a feeling of fun and passion. Stripped back underscore version.
Atmospheric, spacey then determined. Synth & rhythm. Suggested for Atmospheric, spacey then determined. Synth & rhythm. Suggested for space & cybernetic.
Downbeat, dramatic, passionate. Fast drumbeat inspires a sense of Downbeat, dramatic, passionate. Fast drumbeat inspires a sense of pace as downtrodden but triumphant piano begins. Accordion glides in on the back of impassioned sweeping instrumentation. Romantic sense of drama, trilling pianos gifting a European vibe.
Downbeat, dramatic, passionate. Fast drumbeat inspires a sense of Downbeat, dramatic, passionate. Fast drumbeat inspires a sense of pace as downtrodden but triumphant piano begins. Romantic sense of drama from sweeping instrumentation, trilling pianos gifting a European vibe. Stripped back underscore version.
Celebratory, lively, upbeat. Quirky soulful piano chords join with Celebratory, lively, upbeat. Quirky soulful piano chords join with clapping to create an atmosphere of community reminiscent of a street party. Voices shouting provide a sense of joy and energy. Heavy percussion supports playfulness and spirit. Organ chords communicate a sense of fulfilment. No lead vocal version.歌词
Yeah, It's all good, yeah it's all good, We gon come up, come up, Never looking back going to the finish line,
Yeah we run up, run up.
Yeah it's all good, All good, all good, Yeah it's all good, [All good, all good] Yeah its, all good, All good, all good, Yeah it's all good,
[All good, all good, all good]
Yeah it's all good, All good, all good, Yeah it's all good, All good, all good, Yeah it's all good, All good, all good, Yeah, yeah, yeah, yeah,
Yeah it's all good, All good, all good, Yeah it's all good, All good, all good, Yeah it's all good, All good, all good, Yeah, yeah, yeah.
Uh no improvisation if I say I'm good you know that’s a realisation, Yeah the sun comes after the rain celebration,
Moving out a dark place it's a renovation, Uh hold up wait a minute, Yeah we pop and lock it, We aim at the stars ain’t nobody can stop it, We stick to our lane, We don't care about no traffic, We never gon panic, We stay charismatic, Okay [woo].
It's all good right now, We running to the finish line, Smiles right now, So we know it's our time right now, So we going to the top, All smiles right now.
Yeah, It's all good, yeah it's all good, We gon come up, come up, Never looking back going to the finish line, Yeah we run up, run up.
Yeah it's all good, All good, all good, Yeah it's all good, [All good, all good] Yeah it's, all good, All good, all good, Yeah it's all good,
[All good, all good, all good].
Going to the top, Ain't nobody here to stop us, Going to the top, Ain't nobody here to stop us, Going to the top, Ain't nobody here to stop us, Ain't no, ain't no, ain't no, ain't no, Going to the top, Ain't nobody here to stop us, Going to the top, Ain't nobody here to stop us, Going to the top, Ain't nobody here to stop us, Ain't no, ain't no.
Celebratory, lively, upbeat. Quirky soulful piano chords join with Celebratory, lively, upbeat. Quirky soulful piano chords join with clapping to create an atmosphere of community reminiscent of a street party. Slick male vocals sing about feelings of positivity and joy. Heavy percussion support notions of energy and spirit. Instrumentation drops out for rap verse with fun, playful rhymes and ad libs. Organ chords communicate a sense of fulfilment.歌词
Yeah, It's all good, yeah it's all good, We gon come up, come up, Never looking back going to the finish line,
Yeah we run up, run up.
Yeah it's all good, All good, all good, Yeah it's all good, [All good, all good] Yeah its, all good, All good, all good, Yeah it's all good,
[All good, all good, all good]
Yeah it's all good, All good, all good, Yeah it's all good, All good, all good, Yeah it's all good, All good, all good, Yeah, yeah, yeah, yeah,
Yeah it's all good, All good, all good, Yeah it's all good, All good, all good, Yeah it's all good, All good, all good, Yeah, yeah, yeah.
Uh no improvisation if I say I'm good you know that’s a realisation, Yeah the sun comes after the rain celebration,
Moving out a dark place it's a renovation, Uh hold up wait a minute, Yeah we pop and lock it, We aim at the stars ain’t nobody can stop it, We stick to our lane, We don't care about no traffic, We never gon panic, We stay charismatic, Okay [woo].
It's all good right now, We running to the finish line, Smiles right now, So we know it's our time right now, So we going to the top, All smiles right now.
Yeah, It's all good, yeah it's all good, We gon come up, come up, Never looking back going to the finish line, Yeah we run up, run up.
Yeah it's all good, All good, all good, Yeah it's all good, [All good, all good] Yeah it's, all good, All good, all good, Yeah it's all good,
[All good, all good, all good].
Going to the top, Ain't nobody here to stop us, Going to the top, Ain't nobody here to stop us, Going to the top, Ain't nobody here to stop us, Ain't no, ain't no, ain't no, ain't no, Going to the top, Ain't nobody here to stop us, Going to the top, Ain't nobody here to stop us, Going to the top, Ain't nobody here to stop us, Ain't no, ain't no.
Adventurous, smooth, chill. Bell notes play out a sweet jazzy Adventurous, smooth, chill. Bell notes play out a sweet jazzy sequence, joined by garage percussion and a sturdy house beat joined by sidechained vocal samples. Carefree energy, someone relaxing and sipping drinks on the beach. Low-key dance energy, people bobbing their head in a seaside bar. No lead vocal version.歌词
Adventurous, smooth, chill. Bell notes play out a sweet jazzy Adventurous, smooth, chill. Bell notes play out a sweet jazzy sequence, joined by garage percussion and a sturdy house beat joined by sidechained vocal samples. Confident female vocals sing about taking yourself on a break in the sun, sipping drinks and relaxing because it is deserved, finding yourself once again. Low-key dance energy, people bobbing their head in a seaside bar.歌词
Yeah it’s been too long since I touched the sky, Now I wanna feel the high, Maybe I'll take a flight cause, Ooh I'm feeling brave, Ooh and I just got paid, Ooh take a sip of this lemonade, Ice cold baby cool in the shade. [Ohhh] I feel the wave, I'm feeling brave, I feel myself again, [Ohhh] Oooh, But I just wanna feel it with you, [Ohhh]
I feel the wave, I'm feeling brave, I feel myself again, [Ohhh] Oooh yeah, And I just wanna feel it with you.
With you, With you,
Ohhh, With you, Oh Yeah, Yeah.
Yeah it’s been a while since I felt the heat, Now I'm ready to switch it up, and get me out my seat cause, Ooh I wanna feel the vibes, Ooh in the summertime, Ooh looks like we're gonna be alright, Made it through the dark now we're in the light.
Yeah it’s been too long since I touched the sky, Now I wanna feel the high, Maybe I'll take a flight cause, Ooh I'm feeling brave, Ooh and I just got paid, Ooh take a sip of this lemonade, Ice cold baby cool in the shade.
Alternate version without trailer sound. New-Orleans jazz. Fast, Alternate version without trailer sound. New-Orleans jazz. Fast, bouncy, exhilarating, eccentric, fun & celebratory. Dixieland brass ensemble with lead trumpet, clarinet & rhythm section. Suggested for cartoons, musicals & TV theme.
Alternate version without trailer sound and without rhythmics. Fast, Alternate version without trailer sound and without rhythmics. Fast, bouncy, exhilarating & celebratory. Dixieland brass ensemble with lead trumpet & clarinet. Suggested for cartoons, musicals & TV theme.
Vintage jazz trailer track in a Louisiana / New-Orleans mood. Vintage jazz trailer track in a Louisiana / New-Orleans mood. Festive, celebratory, mainstream & spirited. Brass band with lead mutted trumpet, soprano sax, mutted trombone, rhythm banjo & drums. Claps @ 1'18.
Alternate version without trailer sound. Vintage jazz track in a Alternate version without trailer sound. Vintage jazz track in a Louisiana / New-Orleans mood. Festive, celebratory & spirited. Brass band with lead mutted trumpet, soprano sax, mutted trombone, rhythm banjo & drums. Suggested for New-Orleans Carnival.
Alternate version without trailer sound & without rhythm. Vintage Alternate version without trailer sound & without rhythm. Vintage jazz track in a Louisiana / New-Orleans mood. Festive, celebratory & spirited. Brass band with lead mutted trumpet, soprano sax, mutted trombone & banjo.
Warm, bustling, celebratory. Cosy instrumentation plays through a Warm, bustling, celebratory. Cosy instrumentation plays through a slowly rising melody before settling into a jazzy refrain, slow and laid back. Soft double bass gives cushion to crooning male vocals about the story of Jesus and his mother. Heartwarming style matching with celebratory description. Brass instruments embrace in a passionate style, communicating togetherness. Saxophone solo at 01:16 provides a chilled atmosphere, with jazzy improvisational performance. Vocal version.歌词
Once in royal David's city, Stood a lowly cattle shed, There a mother laid her baby, In a manger for His bed, Mary was that mother mild, Jesus Christ her little child.
He came down to earth from heaven, Who is God and Lord of all, And His shelter was a stable, And His cradle was a stall, With the poor, oppressed and wholly, Lived on earth our Savior holy.
And our eyes, At last shall see Him, Through His own redeeming love, For that child, so dear and gentle, Is our Lord in heaven above, And He leads
His children along, To the place where He is gone, And He leads His children along, To the place where He is gone.
Warm, bustling, celebratory. Cosy instrumentation plays through a Warm, bustling, celebratory. Cosy instrumentation plays through a slowly rising melody before settling into a jazzy refrain, slow and laid back. Soft double bass joins with clean piano melody, with jazz percussion conjuring images of people making their way through a snowy city on christmas eve. Brass instruments embrace in a passionate style, communicating togetherness. Saxophone solo at 01:16 provides a chilled atmosphere, with jazzy improvisational performance.
Exotic, determined, hypnotic. Drooping synth notes play out over a Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Male autotuned vocals sing about an individual that treats them bad, but they can't get enough of, a lustful love situation. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men.歌词
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
So cold sayin' things you don’t mean, Only time we good when I’m in dem jeans, Either that or bad ain no in between, But I want ya I be feelin' like a fiend, Goosebumps every time dat you touch me, When we up I be feelin' like I’m lucky, When we down I be feelin like I’m cursed, Slick talk and attitudes be da worse, But you love it when dem racks in yo purse, Nails done hair did girl I see you work, But u steady playin' wit my top like a jerk, Heart so cold I got used to the hurt.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you got me hard, Like Medusa, From the back, you know I kill it, I’m the ruler, Iced out, chain on, Shout out to my jeweler, Big rocks, big clocks, Hmmmm Frank Mueller, He might russel with you, But I’m tryna be ya future, If you are scared of the thunder, Then go, If you stay, mmmmm Ima watch it roll, Don’t be shy, Baby come up out them clothes, Shawty slow down, When you wine down that poll,
Left cheek, right cheek, Mamma shaking fast,Shawty getting money, And she got her haters mad, You don’t pay her bills, Keep them slicks to yourself, Shawty she a G and, She don't need nobody else.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future,
I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you know you cold like Medusa,
I can tell you been messin' wit losers,
But I got some things I wanna do to ya, But I know you bad for my future,
I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya,
Exotic, determined, hypnotic. Drooping synth notes play out over a Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men. Instrumental version.
Bluesy, dreary & gloomy. Jazz orchestra with pizzicato strings, Bluesy, dreary & gloomy. Jazz orchestra with pizzicato strings, piano, muted trumpet, brass & rhythm with brushes. In the style of films noir of the 40s & 50s.
Rumba In the spirit of Broadway musicals of the 30s, 40s & 50s. Rumba In the spirit of Broadway musicals of the 30s, 40s & 50s. Danceable, sun-drenched & exotic. Retro orchestra, string ensemble, piano, brass, marimba, Latin percussion & rhythm.
Carefree & sentimental. Variety orchestra with lead trumpet & rhythm. Carefree & sentimental. Variety orchestra with lead trumpet & rhythm. In the spirit of Broadway musicals of the 40s & 50s
